Word: tusk
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...Charles Earl Cornwallis, for whom this university is named, soundly defeated the much larger forces of the French and rebellious Americans and took prisoner their commander, George Washington. If you're interested in such peculiarities, you can see his brandy-stained teeth, which were fashioned out of hippopotamus tusk, in Prince Charles Hall, right next to Pocahontas' feathered headdress...
...looks, Nevelson's style may be described as collage driven relentlesrelentlessly to excess, a cross between Catherine the Great and a bag lady: pailady: paisley scarves, blue work shirt, full-length chinchilla, OrientaOriental brocade, embroidered waistband, flounces, a rattling boar-tusk necklace and a black riding cap. (When Nevelson was picked as one of the twelve Best-Dressed Women by Publicist Eleanor Lambert in 1977, few of her acquaintances were surprised: there was, as one friend remarked, nowhere else to put her and no known way to ignore her.) "Personally, I'm dramatic, it seems," she told...
Buckingham is, without doubt, the group's central figure and the moving force behind its latest effort. He wrote many of the songs on Tusk and is the lead singer in most of them. Buckingham's melodies best fit the Fleetwood Mac mold, with painfully banal lyrics such as: "You can love your brother but you can't walk out/someone ought to tell you what it's really all about." "That's all for everyone/that's all for me/I just need someone to satisfy...
Lyrics have always been less important to Fleetwood Mac than strong melodies and close harmonies. The subject matter of their songs is nearly always the disappointments of love. On Tusk these disappointments are explored in even greater detail than they were in Rumours; virtually every cut deals with lovers leaving or leaving one's lover. Only the final song on the album. "Never Forget," relieves the pervasive gloom; in this otherwise typical song, love finally triumphs: "Come on baby now don't you be cold/just remember that love is gold/could we ever forget tonight...
...SHAME that the title song of Tusk, buried as the second to last song on the album, has been the one getting the most radio play. A strong percussion solo (performed by the University of Southern California Trojan Marching Band) punctuated by shrieks of "Don't say that you love me," it gives an entirely wrong impression of the rest of the album. Listening only to this song, one would think that Fleetwood Mac is finally experimenting with less formulaic, more outrageous and chaotic forms of rock. In fact, Tusk is probably the most tightly polished album the group...