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Brilliant as Maranzano's plan was, it had one major flaw: Maranzano himself. Like his hero Caesar, Maranzano suffered from overweening ambition. Above the family bosses, there was, under his scheme, to be a Boss of All Bosses, a Capo di Tutti Capi, by the name of Salvatore Maranzano. When several of the family bosses found out that he was plotting to kill them, they worked up an assassination scheme. Five months after he took power, Il Capo di Tutti Capi was murdered. The same day, Sept. 10, 1931, 40 leaders allied with him were slain across the country...

Author: /time Magazine | Title: Nation: United by Oath and Blood | 8/22/1969 | See Source »

With Maranzano's death, a kind of peace did settle over Cosa Nostra. There have been skirmishes and murders aplenty since then, but never anything like the Castellammarese War. In place of the Capo di Tutti Capi, the mobsters formed a Commission made up of nine to twelve family bosses to guide the organization and settle disputes. While its powers have never been precisely spelled out, the Commission seems to be roughly analogous to the governing body of a loose confederation. It must approve each family's choice of boss, and it can, if it wants to, remove...

Author: /time Magazine | Title: Nation: United by Oath and Blood | 8/22/1969 | See Source »

...Little Richard, 34, who powed them in '55 with his "Wop bop a loo bop ba lop bop bop-Tutti Frutti," is doing it all over again-notably last week in Manhattan's Central Park, where he ended up sharing most of his clothes with his admirers...

Author: /time Magazine | Title: Rock 'n' Roll: Return of the Big Beat | 8/15/1969 | See Source »

...inadequately articulated the Bartokian transitions between tempo energico and tempo rubato. This was especially noticeable in the last movement, which as a result sounded perfunctory and rather episodic. The orchestra's strings and winds usually produced an opaque sound lacking inner luster, but the brass sonorously performed those resplendent tutti passages which hint of the later Concerto for Orchestra...

Author: By Chris Rochester, | Title: HRO | 11/12/1968 | See Source »

...Jugendstil 30 years before its prime. Sketches for carved colonnades incorporate fantastic root-and-branch configurations that would have delighted Spain's art nouveau master, Antoni Gaudí. Ludwig's two other palaces both evoke the rococo splendors of Louis XIV of France. From Linderhof come tutti-frutti-colored, specially commissioned Sèvres porcelain, embroidered screens inspired by Boucher, and Ludwig's magnificent throne, a Beardsleyan Oriental divan backed by three haughty, blue-and-green-enameled peacocks...

Author: /time Magazine | Title: Exhibitions: Eclectic Eccentric | 8/2/1968 | See Source »

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