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Cabot Hall; Radcliffe Freshman Chorus; Radcliffe Choral Society, Alumnae Secretary, Assistant Publicity Manager-NAT; Leverett House Opera Society - Cosi Fan Tutti; Christ Church Eplscopal...

Author: NO WRITER ATTRIBUTED | Title: Radcliffe Class Marshall Candidates | 2/25/1966 | See Source »

...Tutti Buoni." To great, deafening, farewell cheers, the papal motorcade then whisked to the World's Fair for a brief tour of the Vatican pavilion. There, visibly exhausted, the Pope stared blankly for a while at Michelangelo's Pietd in its unaccustomed setting,* gave his blessing to the modest crowd that braved the night air for a final glimpse of the Pontiff. Then he was hurried back to Kennedy Airport for the TWA flight home-14 hours after his arrival in New York...

Author: /time Magazine | Title: The Papacy: The Pilgrim | 10/15/1965 | See Source »

...What impressed you particularly?" a reporter asked Paul as they neared Rome. Answered the Pope, smiling: "Tutti cari, tutti buoni [All dear, all good]." The next day, following his return, he told the bishops at the Vatican Council that "the Catholic Church has assumed a greater obligation to serve the cause of peace because of the fact that, through our voice, she has solemnly pleaded its cause...

Author: /time Magazine | Title: The Papacy: The Pilgrim | 10/15/1965 | See Source »

Brophy's analysis of The Magic Flute lands her in a tangle of psychology and Masonic symbolism that even she has trouble resolving. (Mozart got into pretty deep water too.) But she is brilliant on Cosi Fan Tutti, the opera in which Mozart, like Jane Austen a century later, worked through the conventional comedy of mistaken identity to write daringly of two sisters competing fiercely in love...

Author: /time Magazine | Title: Books: Black Ship to Glyndebourne | 9/4/1964 | See Source »

...changes of texture written into the score supplied more variation from mezzo-forte than did any conscious effort on the part of the conductor or orchestra. Broad contrasts between the tutti and the first violins' soli in the fourth movement remained unexploited. Phrases, instead of concluding, were simply cut off. Ultimately, after opting to repeat every section possible, Biss managed to rouse the orchestra to life--probably because the symphony was nearly over...

Author: By Joel E. Cohen, | Title: Bach Society Orchestra | 10/29/1963 | See Source »

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