Word: tutti
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...Boston's H. P. Hood & Sons, a computer figures out the right mix of fruit that goes into the company's tutti-frutti ice cream, instructs the ice cream-making machinery just what grade and quantity of ice cream to make. In the kitchens of Sara Lee bakeries, another one stores recipes and orders the proper amount of butter and eggs; soon, it will also control the cake mixes, ensure that they are baked at the right temperature, then automatically test their quality, setting up electronic protests if it has been disobeyed. A General Electric computer is scheduling...
...combines the performance effects of Ravel and Debussy, the rhythmic drive and insistence of Bartok, and a peculiar harmonic clarity which could be interpreted as simple-mindedness. Both the first and second movements, in spite of constant, rapid, and vigorous rhythms, remain static on D. Open fifths, played tutti, reinforce the strength of the rhythms. The quartet suggests Bartok's brutality, but lacks Bartok's subtlety, variety, and startling originality...
...storyteller who wrote those lines, was brushing his teeth. It had been, his wife later recalled, a "calm, good-natured" dinner, and she was sitting in her bedroom in their house in Ketchum, Idaho, when an Italian song she had not thought of for years came into her mind- Tutti Mi Chiamano Bionda (Everybody Tells Me I'm Blonde). Mary Hemingway walked across the hall to her husband's room to sing it for him. "I said, 'I have a present for you.' He listened to me, and he finished cleaning his teeth to join...
...AFTERNOON CONCERT. Mozart, Cosi fan Tutti overture; Schumann, Trio no. 3 in G--opus 110; Lo Presti, The Masks; Petzold, Sonata no. 2 for Brass; Sibelius, Peleas et Melisande; Dohanvi, Quintet for Pf. and strings; Haydn, Symphony 180 in D; Schubert, Deux Marchas Characteristique; Khrennikov, Symphony no. 1 in B flat; Handel, Suite for Harpsichord...
...orchestral accompaniment had its exciting moments, especially as in the extended tutti passages, but it was not an altogether easy collaboration. There had obviously not been enough time to become sure about catching the end of the solo runs, with the result that the last movement sounded grim and dogged and too tense. With regard to the difficult dynamic problems of the slow movement, it is often the case that a relaxed, controlled mezzo-piano will actually sound quieter than the strained tone the full orchestra produced when trying to match the soloist's softest passages. The orchestra fared better...