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Norman Ornstein is a wonk, a wonk's wonk, maybe the wonk di tutti wonks. As a resident scholar at the American Enterprise Institute, he not only talks the wonk's talk, he also walks the wonk's walk. His admission that he is the co-chair of the President's Advisory Committee on the Obligations of Digital Broadcasters trips off his tongue with alacrity. But like so many of the earnest wonks of Washington, he longs to be loved for more than his mind. He wants to be thought of as funny...

Author: /time Magazine | Title: Guy Walks into a Press Briefing... | 11/23/1998 | See Source »

...first half that seemed to stretch on too long, it was perhaps wise to choose Shostakovich's brief, energetic First Synphony to round out the program. The piece's vocabulary was quite different than the Beethoven which had come before, with angular themes, surreptitious-sounding pizzicati, and highly percussive tutti throughout. This idiom seemed to bring out a better side of the orchestra, which took the difficult rhythms in stride, found the wit in some of Shostakovich's jazz-inflected themes, and produced an impressive tone in the louder passages. Maybe HRO felt some affinity with the piece, which...

Author: NO WRITER ATTRIBUTED | Title: At Sanders, Not Quite Triple the Pleasure | 11/7/1996 | See Source »

...point is, rock 'n' roll is an art form that was created by blacks. "It started out as rhythm and blues," says Little Richard, the flamboyant rock pioneer who saw such tumultuous songs of his as Tutti Frutti and Long Tall Sally taken to the charts in white-bread "cover" versions by the likes of Pat Boone. "There wasn't nobody playing it at the time but black people--myself, Fats Domino, Chuck Berry. White kids started paying more attention to this music, white girls were going over to this music, they needed somebody to come in there--like Elvis...

Author: /time Magazine | Title: MUSIC: IS ROCK 'N' ROLL A WHITE MAN'S GAME? | 4/29/1996 | See Source »

...orchestra came up a bit short during the huge swells of the tutti. Unfortunately, the rumbling of the lower strings appeared more like the lulling motion of a ship than the towering waves that crash against it. Only some enthusiastic brass entrances rescued the accompaniment...

Author: By Daniel Altman, | Title: Timid BSO Tantalizes at Tanglewood | 9/22/1994 | See Source »

...delivered the third movement's fluid onset, a walking clarinet line with string accompaniment much like the third movement of his Clarinet Quintet, with serenity and warmth. The brass sounded a bit jumbled in the tutti, but Haitink brought the movement to a clean closure...

Author: By Daniel Altman, | Title: Timid BSO Tantalizes at Tanglewood | 9/22/1994 | See Source »

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