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...really hoping to Squeeze in an upbeat spiel about this once-proud pop group's resurrection. No such luck. COSI FAN TUTTI FRUTTI has but one inspired moment--its clever corruption of the Mozart opera title (Omigod, I mentioned real music). The rest is much sound'n fury, a thickly overlaid and confusing pastiche of synthetic pop gimmicks. What's more, there are no hooks...

Author: By Ari Z. Posner, | Title: Vinyl in Boston | 10/10/1985 | See Source »

Perhaps the flaws on Cosi Fan Tutti stem from the fact that Squeeze put the LP together in the studio before trying their stuff out live. If the songs on this record had begun as live riffs, spontaneous bits of popish nonsense in the best Squeeze tradition, they might have gone somewhere. Rather, the Fab-Four-that-almost-was (they're actually five now) worked very hard on pulling off a masterpiece in the sterile confines of an airless studio. The result doesn't snap, it rarely crackles, and it never pops...

Author: By Ari Z. Posner, | Title: Vinyl in Boston | 10/10/1985 | See Source »

...safe from a return of the vanquished, often dressed as an avantgarde. Today spartan modernism has been surprised in its sleep by a postmodern taste for ornament and the revival of moribund styles. Partly as a result, some artists are garnishing the edge again. Trompe l'oeil frames, tutti-frutti borders and jigsaw-cut silhouettes are multiplying in galleries that not long ago featured only trim metal runners...

Author: /time Magazine | Title: Art: Returning to the Frame Game | 12/3/1984 | See Source »

...author, Charles White, is a BBC disc jockey who goes by the name of Dr. Rock and has the good sense to go off-mike when the major talent is in the room. In only a little more time than it might take to recite the immortal refrain from Tutti Frutti (for the record, that's "Awop-Bop-a-Loo-Mop/ Alop-Bam-Boom"), the reader, reeling, will have plunged through Richard's accounts of childhood pranks (he defecated in a box and presented the result, gift wrapped, to old Miz Ola down on Macon's Monroe...

Author: /time Magazine | Title: Music: Dancing in the Outer Darkness | 9/10/1984 | See Source »

...first performance of The Magic Flute he faints dead away at the piano. Portrait of the artist as a great man: while his wife and father bicker over money in the next room, Mozart slumps over a billiard table, takes a swig of wine and fleshes out Ah tutti contenti from The Marriage of Figaro, creating music of domestic ecstasy out of the discord of his family life...

Author: /time Magazine | Title: Cinema: Mozart's Greatest Hit | 9/10/1984 | See Source »

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