Word: tuxes
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Dates: during 1960-1969
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Whether he stands to gain either out of PAD is debatable-because as an actor, Hefner makes a pretty good magazine publisher. He stands there woodenly in his tux and clipped-on bow tie, clutching a blonde model who is dressed in a yellow piece of chiffon stuck together with three safety pins. The model also acts a little camera-shy, probably because she has no bra on. "Good evening," huffs Hef. "I'm Hugh Hefner. Welcome to the party." On one typical show the two comic acts were Shari Lewis, a ventriloquist who looks like a Playboy bunny...
...present the first inside look at the life and love of a young Negro couple. Fine in theory, but why did he have to do it in a story that not even the most gullible honky would buy? Poitier cast himself as a slick hustler in a continental-cut tux who spouts fluent Japanese, keeps a pet piranha, sits in on bongos and serves as baby sitter for a brood of Negro children, while running a trucking concern by day and a casino-on-wheels by night. Abbey Lincoln as Ivy is a sweet gal, but for a low-salaried...
Dressed in black tie and tux, Prime Minister Ian Smith jerked a piece of bunting one night last week to ring a 250-lb. bronze replica of the Liberty Bell. "I toll for justice, Christianity and civilization," cried Smith at a ball celebrating the first anniversary of his Unilateral Declaration of Independence. "Every time it chimes it will be another nail in the coffin of those who want to interfere in the internal affairs of Rhodesia." Then Smith and his wife went out on the dance floor to kick the gong around...
...everywhere were the two other hosts, Alfred L. Goldberg and Stephen C. Harrison, and Weil, in tux -- looking as irrepressible as a red and white fishing float...
...Cannes Claude picks up Jeanne Moreau in the classic style: they both win on number 17. They have streaks of luck, lose it all, then make a killing, and buy their way into the Jet Set. He gets a tux, she a couple of evening gowns, and they check into Monte Carlo. The luxury, like the poverty, seems hard: there are the same straight lines, the same stark blacks and whites, set off by the flickers of brocade and jewelry. But the hardness is unreal because it has no effect on the people within it. Jeanne lives only...