Word: tv
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Dates: during 1960-1969
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...TV news cameras ground away, an overflow audience of 2,000 students, professors and curiosity-seekers jammed Royce Hall at the University of California at Los Angeles last week for the first meeting of Philosophy 99-Recurring Philosophical Themes in Black Literature. When the lecturer took the podium, the audience stood up and cheered. The center of all this attention was Angela Davis, 25, a militant black and an acting assistant professor of philosophy at U.C.L.A. She is the heroine in what is fast becoming California's most dramatic row over academic freedom since the loyalty-oath fight...
Thirty minutes and one program later, Joe had brazened his way to one of the biggest TV surprises since his New York Jets won football's Super Bowl. Television, after all, is already surfeited with football, with talk shows and lowbrow entertainment. The Playboy After Dark series, by another TV interloper. Hugh Hefner, is all pretension and forced fun. Yet somehow, as U.S. viewers discovered in the premiere last week, Joe's show had an insouciance, a spontaneity and a genuine joie de vivre that even congenital Namath haters must have found infuriatingly engaging...
...film, trading unrehearsed gags with the program's second banana, Writer Dick Schaap (TIME, Sept. 19). Executive Producer Larry Spangler claims that within 24 hours after putting the show on the market, he had signed up sponsor Bristol-Myers and peddled a 15-week package to 38 U.S. TV stations. Seven have been added since; a non-network syndication show has rarely, if ever, caught on so fast...
...what is to be the series' standard format. Namath and Schaap quipped and kibitzed through film clips of the Jets' latest game. Dick reveled in the miscues, while Joe extolled the "pure grace" of his own passing style. Namath was more modest about his fluffs as a TV rookie. He kidded about his troubles with cue cards and his muff of the first commercial lead-in, joshing: "1 did that good, didn...
...Warm Gun accompanied battle scenes from Viet Nam; Peter, Paul and Mary's Blowin' in the Wind underscored film clips of student demonstrations. The overall theme was Pete Seeger's Turn, Turn, Turn. The program marked what might possibly be a new pattern for TV news documentaries: except for a final three-minute, 40-second sermon from David Brinkley (in which he credited the entire decade to TV), there were no formula interviews, no ponderous philosophizing. Instead, it was a documentary full of flash and color, exciting the senses by inundating them with sights and sounds...