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Word: twain (lookup in dictionary) (lookup stats)
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There has been nothing as good since." If Twain affected serious writers, he affected humorists even more. His timing as a public speaker is still being imitated by stand-up comedians. His wry one-line sermons ("Man is the Only Animal that blushes. Or needs to") have influenced every prose humorist who followed...

Author: /time Magazine | Title: Essay: AMERICAN HUMOR: Hardly a Laughing Matter | 3/4/1966 | See Source »

That art has its roots in the work of a writer who made his Mark before the century began. "All modern American literature comes from one book by Twain called Huckleberry Finn," wrote Ernest Hemingway. "There was nothing before...

Author: /time Magazine | Title: Essay: AMERICAN HUMOR: Hardly a Laughing Matter | 3/4/1966 | See Source »

...famous Shepard illustrations, pleasantly introducing Kanga, Roo, Eeyore, Owl and Rabbit. It is the voices that sound dead wrong. Speaking for Pooh, Comedian Sterling Holloway makes Christopher Robin's friend seem a dry American, as if the world of Milne had collided in Disneyland with the world of Twain. And Pooh purists will certainly wince at a new batch of song lyrics, starting with "a tubby little cubby all stuffed with fluff" and ending with conceits even more unbearable...

Author: /time Magazine | Title: Cinema: Disney Double | 2/18/1966 | See Source »

White is white and black is black in the new Africa, but the twain meet on one point of principle: even more than each hates the other, they hate anybody who tries to erase the color line that divides them. Such is the sardonic opinion of France's Georges Conchon, a former Secretary-General of the Central African Republic, and he expresses his opinion with sadistic delight in this ferociously witty satire on the men and movements of contemporary Africa...

Author: /time Magazine | Title: Books: African Agonies | 12/31/1965 | See Source »

...telling complaint about opera has to do with poor acting and staging. Mark Twain wrote that "there isn't often anything in a Wagner opera that one could call by such a violent name as acting. As a rule, all you would see would be a couple of people, one of them standing still, the other catching flies." And Critic Ernest Newman said of the typical soprano: "She looks like an ox; she moves like a cart horse; she stands like a haystack...

Author: /time Magazine | Title: Essay: OPERA: Con Amore | 10/8/1965 | See Source »

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