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Marie Larkin carries off the role with an admirable intensity, if not a consistent accent. There are too many marbles rolling around in her mouth to achieve the flat twang of a Tennessean, and instead she sounds a bit too close to a Mississippi sophisticate than the product of Appalachian inbreeding. Precisely because she isn't "dumbed-down" enough for the part, she achieves an entirely different element from the character: cold calculation. Her words are placed with precision, whether it is to tear down "the nigger" or the doctor...

Author: By Amy G. Piper, CONTRIBUTING WRITER | Title: Colors Clash in Albee's 'Bessie' | 10/9/1998 | See Source »

Fuck's music is a perfect mirror of this message, approaching brilliance with its obvious attempts to evade strict interpretations and confining genre classifications. Fuck draws from diverse styles to create music incorporating Pavement-esque indie-pop, space-age bachelor pad swing, Uncle Tupelo style country twang and '60s Brit-pop, all united by the poetry and grace of lyrics normally found in only the most sensitive of folk ballads. Together, these disparate elements mesh together to create a hodgepodge of influences that somehow manages to persuade the listener that chaotic synthesis is the perfect synthesis...

Author: By Erin E. Billings, CONTRIBUTING WRITER | Title: Dirty Minds, Delicate Music | 10/9/1998 | See Source »

...never really go home. Louise Woodward touched down on English soil Thursday for the first time in 15 months of au pair-hood, trial and notoriety. "I've really missed the old place a bit," Louise said at Manchester airport, with what one reporter described as "a slight U.S. twang." But it was not the same England she left, nor the same one that supported her to the hilt during last November's trial. The tabloids are beginning to turn on Louise: "First Class Child Killer," blared the front page of Thursday's London Mirror. It was a tale with...

Author: /time Magazine | Title: An Au Pair's Homecoming | 6/18/1998 | See Source »

...Alana Davis Blame It on Me (Elektra) A fresh and uncommonly rich fusion of blues and folk-pop, Davis' debut is a stunningly mature work for a songwriter of just 23. Combining the twang of Bonnie Raitt and the soulfulness of Tracy Chapman, Davis uses her serene voice to breathe light and life into songs, creating a captivating, genre-bending sound...

Author: /time Magazine | Title: MUSIC: THE BEST MUSIC OF 1997 | 12/29/1997 | See Source »

Love is a great listen. The occasional slips into schmaltz blemish parts of it, but Buttercup's pop sensibility keeps the tunes fresh and energetic and Obetz gives the band a dimension that other alternapop outfits don't have. The slight twang on "Deal With the Devil" gives a coyness to the tune's moodiness, elevating an otherwise trite pop tune to something far more musical. This seems to be the name of the game for Buttercup: reconfiguring pop cliches in extremely inventive ways. Even their love songs are tinged with irony, infusing pop fantasy with real world bitterness. Their...

Author: By John T. Reuland, CONTRIBUTING WRITER | Title: Buttercup Shows Innovation, Reflection With `Love' | 11/7/1997 | See Source »

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