Word: twanged
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...Baby Birch,” the sixth track, also demonstrates Newsom’s ability to successfully adapt and transform previously-unexplored styles. Newsom’s voice takes on only the slightest, airy twang so that the song recalls the style of Neko Case. But the track, which approaches ten minutes in length, goes beyond a mere regurgitation of alternative country. Haphazard slips of electric guitar and banjo accent a languid harp—which, in typical Newsom style, she fits perfectly into this country song—and as the song proceeds, dramatic harp and guitar...
...songs demonstrate, the album’s collaborators largely failed at matching their individual musical strengths with the different moods of the album. Specifically, Gibbard’s sensitive and delicately emotive voice is best suited to melancholy and thoughtful melodies. By contrast, Farrar’s deeper, rougher twang enlivens gritty, hard-up tracks, but his nasally drawl drags down slower paced songs, making them sound whiny, not wistful. On the whole, this album, though fortified by a few well-crafted tracks, fails to adroitly engage its source text and the vocal talents of its creators...
...other part is his manner. Before Congress, at subsequent pro-reform rallies around the country, and in the many television interviews Potter grants, he plays the role of the soft-spoken dad, calmly laying out his indictment of the for-profit insurance industry with a slight Tennessee twang, his gray hair buzzed and a pair of wire-rimmed glasses perched on his nose. He isn't prone to hyperbole and, despite his having become a whistle-blower to "make amends" for the wrong he feels he did as a health-insurance executive, Potter is eerily calm, an island of serenity...
...Gates continued on, in that flat, unassuming Kansas twang that screams: No bull here. The next day, testifying on the Senate side, Gates performed a similar anti-missile evisceration of Senator Jeff Sessions, who responded, "I'd say you were ready for that question." (Read about the troubled SBX radar...
...tour de force scarcely seen in contemporary pop music. The duo of Maxwell C. Drummey ’07 and D. A. Wallach ’07 string their audience along a tangled thread of kitchsy singles, Beach Boy flavored ballads, musical interludes, and even some country twang over the course of the record. And while this errant diversity could otherwise be more than a little off-putting, Chester French pulls it off (though not without a few stumbles) with a gusto that’s sure to recall a Beatles album or two for the historically-minded listener...