Word: twangs
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Dates: during 1950-1959
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Gregorio takes the wheel and Hemingway lets himself down to the deck and sits down. His voice has an ordinary sound, but high-pitched for the big frame that produces it. For all his years away from his rootland, he speaks with an unmistakable Midwestern twang. Absentmindedly he rubs a star-shaped scar near his right foot, one of the scars left by the mortar shell which gravely wounded him at Fossalta, Italy, in 1918 when he was a volunteer ambulance driver. Nick Adams, hero of many of Hemingway's short stories, was wounded at approximately the same place...
...King of the Khyber Rifles (TIME, Jan. 11), the hero (Rock Hudson) is a British officer, who in this case has a Midwestern twang to his speech. He affects to defect to the enemy, but only in order to diddle some secrets out of a raja (Arnold Moss) with a slight New York accent. Add to the linguistic confusion a Hindu girl (Ursula Thiess) who has a German accent, and even the children for whom the movie is intended may suspect that the action is not quite faithful to history...
Across the jack-pine hills of Idaho came the twang of a familiar guitar and the whine of an even more familiar baritone lustily singing: "From this valley they say you are going, / We will miss your sweet face and your smile." Glen Taylor, troubadour politician, ex-Senator (1944-50) and Henry Wallace's vice-presidential candidate on the Progressive Party ticket in 1948, had come home from self-imposed exile in California to ask a favor from the voters. Said Taylor: "I want to go back to Washington because I want...
...watch the milking; to the front yard, for a talk with Mother Landmeier and her healthy youngsters; to the barnyard, where Weatherman Clint Youle spoke of the crops and elements ("In Georgia and Virginia, the pecans are doing pretty well"); and too frequently to tireless Eddy Arnold, who will twang out a li'l song at the drop of a cornball. The chief trouble with the show, in fact, is that it is too city-slick; it needs more hay, less...
...Beautiful Sea (Shirley Booth, Wilbur Evans; Capitol LP). Mostly ordinary show tunes by Arthur Schwartz (music) and Dorothy Fields (lyrics), but Actress-Singer Booth puts a few of them over with a fine, plaintive twang that helps explain the success of the Broadway production. Best tunes: I'd Rather Wake Up by Myself, Lottie Gibson Specialty, both sung by Booth, and Coney Island Boat, sung by the chorus while Booth at the same time sings In the Good Old Summertime to form one of those two-headed duets (e.g., You're Just in Love, from Call Me Madam...