Word: twentieths
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...believe that it is possible at this point to write art history outside of a specifically defined theoretical framework, least of all an art history of the twentieth century,” Buchloh wrote in an e-mail...
Buchloh’s work focuses on twentieth-century art, and he specializes in American and European modernism and the relationship between the historical avant-garde movements of the pre-World War II era with the neo-avant-garde movements after the war. The artistic break created by World War II has remained the focal point of Buchloh’s academic career...
Buchloh is also finishing Volume II of his collected essays, “Formalism and Historicity: Models and Methods in Twentieth Century Art,” which traces the trajectory of the prewar avant-garde art movement into the postwar era, the Conceptual Art movement, and more recent montage techniques...
...extremely happy to join one of the best departments of art history in the U.S., and I am looking forward to contribute to the art department’s expansion into the field of twentieth century art history,” Buchloh wrote in an e-mail. “In particular, it was of course the offer of the Franklin and Florence Rosenblatt Chair in Post War American Art that made me decide to join the department, since it stated a first and programmatic commitment to the field of my research and writing in Post War Art History...
Your article "The Man with the Golden Helmet" [ESSAY, Dec. 16] brings to mind the expression, What's in a name? Obviously a great deal, since the renowned and "priceless" work by Rembrandt has fallen to one-twentieth of its previous value. One should ask, "What is in art?" A name? Stephen G. Schulhoff Baltimore...