Word: twentieths
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...century. I am impressed, reading these speeches, at how often Buckley's assessments at the time have been dead-on - about Mao's cultural revolution, about Norman Mailer, about other extravagances. I like the way that Buckley stated his mission in 1964: "To hurl back... the effronteries of the twentieth century...
Malevich, Popova, Kandinsky, Chagall-these are the names that typically come to mind when someone mentions the Russian avant-garde in its early twentieth century heyday. In her book Exploring Color: Olga Rozanova and the Early Russian Avant-Garde, 1910-1918, art historian Nina Gurianova adds a new name to the old list by paying tribute to Olga Rozanova, a lesser known artist, and showing how she helped pioneer developments in futurism, suprematism and the role of color in painting...
...early 1960s artists' collective known as Fluxus is among the most elusive "movements" of late twentieth century art. Its name itself bespeaks a fundamental desire to create art perpetually in flux, to move art out of galleries and into unconventional spaces, to infiltrate commercial culture, to provide an alternative to restrictive formalism. An exhibition of Fluxworks, therefore, poses a perplexing curatorial problem. Nonetheless, under the direction of Benjamin Buchloc and Judith Rodenbeck, the List Visual Arts Center at MIT has recently attempted to put together a comprehensive show, called Experiments in the Everyday, of two artists active in Fluxus, Allan...
...Fluxus is often pegged the "other tradition" of the twentieth century avant-garde, the irrational alternative to high modernism's fixation on form, structure and dogma. Watts and Kaprow inherited this position from Marcel Duchamp, father of Dada and first to insist that "the viewer completes the work of art." Their process was Duchampian in intent and radical in form: they created art objects from everyday objects and performance pieces from everyday events, decontextualizing those elements and thereby giving the piece a new function within the aesthetic space of the gallery. Often they rejected the confines of the gallery space...
Named Professor of Russian and Women's and Gender Studies at Amherst College in 1995, Sandler teaches a Slavic department seminar called "Poetic Self-Creation in Twentieth-Century Russia...