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...group discovered that the reasons behind this early twentieth century decision were no longer valid in a modern context and advised AT&T to offer consumers the option of purchasing a phone...

Author: By David M. Lazarus, | Title: After Your History Ph.D., Then What... | 5/7/1986 | See Source »

Explaining the community's approach to monastic life in the 1980s, Father Martin Smith, acting Father Superior, says, "We need to be honest about the patterns of twentieth century day as opposed to ninth century traditions, to be much more comfortable wearing everyday clothes [outside the monastery] while wearing a habit while we're in community, not using the symbol, as it rings false...

Author: By Teresa L. Johnson, | Title: The Monks of Harvard Square | 4/10/1986 | See Source »

...writers suits Brodsky. The supre macy of prosody is a theme he plays backward, forward and sideways throughout his book. If metrical language is the pinnacle of civilization, Brodsky is free to put poets at the top of the heap. He anoints Auden as "the greatest mind of the twentieth century," a brash though not unattractive idea if readers allow themselves to be swept along by Brodsky's passionate discourse on Auden's premonitory war poem "September 1, 1939." The work is reimagined rather than reduced by the usual critical method. "You don't dissect a bird to find...

Author: /time Magazine | Title: Books: Notes From a Poet in His Prime Less Than One | 4/7/1986 | See Source »

Some of the shapes, materials and images that resulted are currently on display in an exhibition at New York City's Whitney Museum, "High Styles: Twentieth-Century American Design." The show, which includes 300 pieces of furniture, craftworks, tableware and household appliances, was assembled by six different curators and seems more the rough outline of a museum exhibit than a finished show. Indeed, in a gallery that is like the vast attic of some anonymous and impossibly trendy old American family--interesting, to be sure, but incoherent--the recurrent evocation of the future is one of the few themes reaffirmed...

Author: /time Magazine | Title: Design: The Shape of Things to Come | 12/23/1985 | See Source »

...Museum, but rather "an independent original in its own right, with its own independent worth." But what is its independent worth if Rembrandt's masterpiece is not by Rembrandt? Though people who estimate such things promptly lowered its theoretical value from 20 million marks ($8 million) to about one-twentieth of that amount, what is one-twentieth of something priceless...

Author: /time Magazine | Title: Essay: The Man with the Golden Helmet | 12/16/1985 | See Source »

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