Word: twilight
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...Dude, Don't Knock the Book I have been dreading the release of the film Twilight [Dec. 1]. I felt certain that any movie version of the book would be hokey, and TIME's review of the film confirmed my fears. I take exception, though, to Richard Corliss's apparent condemnation of the source material. I have been reading fantasy and science fiction for more than two decades. Stephenie Meyer's best-selling series (Twilight, New Moon, Eclipse and Breaking Dawn) is captivating and original, with an audience that goes far beyond pubescent girls. It would be unfortunate if those...
...have been dreading the release of the film Twilight [Dec. 1]. I felt certain that any movie version of the book would be hokey, and TIME's review of the film confirmed my fears. I take exception, though, to Richard Corliss's apparent condemnation of the source material. I have been reading fantasy and science fiction for more than two decades. Stephenie Meyer's best-selling series (Twilight, New Moon, Eclipse and Breaking Dawn) is captivating and original, with an audience that goes far beyond pubescent girls. It would be unfortunate if those who have not yet read the books...
Waltz also conveys the jarring dislocation that soldiers, caught in a twilight state between reality and hallucination, feel coming home. "In Iraq, it takes American soldiers maybe a few days to go back home, giving them a little time to adjust," says Folman. "For me, it was a 20-minute helicopter ride and I was back in Haifa, where the war didn't exist." We follow his shell-shocked, teenaged self as he wanders the streets, numbly watching a rock guitarist on a store TV, kids in an arcade blasting video baddies, and finally his ex-girlfriend dancing with another...
...administration, with a minor in English." I ask him how he can be so sure. "Because someone told me that's what I have to do to take Chancellor Rhee's job," he says matter-of-factly, watching his drum corps practice and his baton twirlers twirl in the twilight...
...songs—“If I Were a Boy,”” Halo,” and “Disappear”—show the Beyoncé we all know and love. The trio—characterized by catchy hooks, a twilight synthesizer and an up-tempo clap beat—build up expectations that are flattened by the latter part of the disc. It’s not that the songs are bad or even remotely cacophonous; it’s that we expect more from one of the world?...