Word: twilighter
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...film flashes fro and to in both time and style, alternating the fluorescent glare of the late 1960s, as Daniel (Timothy Hutton) searches for the truth about his parents, with the hazy twilight glow of his parents' day, when spellbinding romantics saw a golden future for American Communism...
Also currently riding high are Nakamori's throaty Twilight, Kawai's lively Escalation and Harada's The Maiden Who Takes Time, a simple ballad sung in a childlike voice over a gentle rock beat. The best-selling album is Kirei (Pretty) by the Southern All-Stars, a Beach Boys clone making a comeback after ten years of declining popularity. But the Japanese are not entirely immune to international pop trends: No. 2 on the album charts is the sound track from Flashdance. Come to think of it, there's a pretty face in that...
...least aged, to become successful film makers: John Landis with National Lampoon's Animal House, Joe Dante with The Howling, George Miller with The Road Warrior and Steven Spielberg with half of the megahit movies of the past eight years. But they never forgot The Twilight Zone. In Steven Spielberg's E.T., one teen-ager hypes the spookiness by singing Marius Constant's ding-ding-ding-ding theme from the TV show; and Spielberg's Poltergeist is an updating of a Twilight Zone episode. Now this quartet has concocted a four-part feature that takes Serling...
...Twilight Zone: The Movie burst into the third dimension of real life and death last July, when Actor Vic Morrow and two children were killed when a helicopter crashed during the filming of their segment. Morrow plays a bigoted businessman who learns the True Meaning of Racial Injustice when transported to Nazi-occupied France, a Klan lynching and a G.I. patrol in Viet Nam. Landis, who also contributes the engaging prologue to Twilight Zone, would have been well advised to junk his screechy screed. Even with the helicopter sequence mercifully cut, the story hardly looks worth shooting, let alone dying...
...movie moving with spooky style. Jeremy Licht plays a boy with monstrous powers, who corrals an ersatz family and bends them to his infantile wishes. In this cartoon nightmare, giant skinned rabbits pop out of hats, and people who talk back have their mouths erased. Like the best Twilight Zone originals, Dante's horror-comic homily provides an oblique moral: youth must not be served, at least not peanut-butter burgers on a paper plate...