Word: twinned
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Dates: during 1980-1989
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...then the song rolls along with the meter running and the twin refrain: "Get up, get out, get into something new" and "Ooooooh, and it's got me moving." In short, it's the Stones' finest statement yet of urban rootlessness and mutability, a world where nothing counts unless it's brand new and fast-moving, a gaseous world, a great nebula, where nothing is complete or permanent except New York's concrete garbage cans, where even "Dance" is only "Part...
...then the song rolls along with the meter running and the twin refrain: "Get up, get out, get into something new" and "Ooooooh, and it's got me moving." In short, it's the Stones' finest statement yet of urban rootlessness and mutability, a world where nothing counts unless it's brand new and fast-moving, a gaseous world, a great nebula, where nothing is complete or permanent except New York's concrete garbage cans, where even "Dance" is only "Part...
...then the song rolls along with the meter running and the twin refrain: "Get up, get out, get into something new" and "Ooooooh, and it's got me moving." In short, it's the Stones' finest statement yet of urban rootlessness and mutability, a world where nothing counts unless it's brand new and fast-moving, a gaseous world, a great nebula, where nothing is complete or permanent except New York's concrete garbage cans, where even "Dance" is only "Part...
Even the cool NASA professionals in the control room were not unmoved. With the orbiter's death came the end of another phase of the $1 billion Project Viking, the most ambitious mission to another planet to date. Back in 1975, twin spacecraft, each consisting of an orbiter and a lander, were sent off to Mars. A key objective: to determine if the Red Planet harbors life. After going into Martian orbit ten months later, the mated spacecraft split apart. Their spider-legged landers touched down on the surface, while the orbiters continued patrolling overhead, mapping the planet with...
...then the song rolls along with the meter running and the twin refrain: "Get up, get out, get into something new" and "Ooooooh, and it's got me moving." In short, it's the Stones finest statement yet of urban rootlessness and mutability, a world where nothing counts unless it's brand-new and fast-moving, a gaseous world, a great nebula, where nothing is complete or permanent except New York's concrete garbage cans, where even "Dance" is only "Part...