Word: twist
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Dates: during 1980-1989
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Critics call this an "O.C." movie; every plot twist is so easy to spot that the only response is "of course." The star (Richard Gere) is a Chicago cop with a dependable partner played by a disposable actor. O.C., the partner gets killed by a visiting New Orleans gangster (Jeroen Krabbe) while keeping tabs on the gangster's moll (Kim Basinger). O.C., the star goes to New Orleans to hunt down the bad guy, gets hassled by the local police and, O.C., falls in love with the moll while they dodge crackers and crocodiles in bayou country. Bullets perforate every...
From 1948 to 1978, from bebop to the twist to disco, Seeburg was the jukebox king, selling more boxes to more bars, restaurants and soda shops than any other firm. But in 1979 Seeburg filed for reorganization under the bankruptcy laws. Like its competitors, the company had been hurt by its dependence on 45- r.p.m. records, which today account for only 5% of the record and tape market...
...second favorite suffix, -scam, as in Abscam, has also had a heavy workout (Iranscam, or the rather infelicitous NSCam), as have various "connections" (the Contra Connection, the Swiss Connection, the Tehran Connection). More whimsical designations usually focus on the scandal's most intriguing character: Ollie's Follies, Oliver's Twist, Cuckoo Iran and Ollie, and even (for fans of '50s rock 'n' roll) the Buddy-Ollie Story. Reagan's foes have played the name game with partisan glee: Dutch's Clutch, Gippergate, Iranaround, Iranoutaluck . . . well, you get the idea...
...comment by Summerall, as if Summerall had missed the point of a tackle, and once in a while, he will nod vigorously at something Summerall says, as if in total agreement. Sometimes something happens on the screen that causes Fran to make an abortive gesture in his chair, a twist of his shoulders, as if eluding a tackler, and suddenly he catches himself. He looks around sheepishly, but no one has noticed. ("Sometimes in the bar, I have to catch myself," he says. "I don't want to seem pushy...
...REALITY FEST was not a hardened, jaded assortment of eighties youth out of the pages of Less Than Zero or Bright Light, Big City. There was a jubilant esprit de corps that arose from the irony of the situation. Here was a new twist on an old and no longer meaningful pastime--"mass bakage" in the thinly disguised form of an idealism dead for 20 years. The festival offered fresh entertainment in the mild lampooning of flower power, a perfect showcase for cynically irreverent eighties...