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...sold as a literary writer in Holland; I'm sold as crime fiction in England; and a thriller [author] here. I think of it as just literature. To Kill a Mockingbird - that's crime fiction. That's a murder story. Snow Falling on Cedars. Oliver Twist. What's more violent than a bludgeoned prostitute? A lot of novels use crime as a stepping stone to talk about greater issues. So I just think of myself as a writer...

Author: /time Magazine | Title: Between the Lines With Karin Slaughter | 10/4/2005 | See Source »

...finally found this woman, but she was trapped for two or three days, buried alive with a pipe. That's something that's always terrified me, just the idea of being buried alive. I wanted to explore that, and maybe put a little of my own twist...

Author: /time Magazine | Title: Between the Lines With Karin Slaughter | 10/4/2005 | See Source »

...conspiracy designed to deviously topple the influential Republican lawmaker from his seat. Unfortunately, this type of counterproductive response to legitimate questions of ethics has become the norm in Washington: rather than allowing the legal process to address such questions efficiently and thoroughly (as it ultimately did with DeLay), politicians twist them into partisan shouting matches that, in the end, only further damage the integrity of our government...

Author: By The Crimson Staff, | Title: Lessons of Tom DeLay | 10/4/2005 | See Source »

When filming a seminal piece of English literature like Dickens’ “Oliver Twist,” the conservative choice for a director is to keep the work as loyal to the source material as possible. The truly great directors, such as Roman Polanski, go a step beyond. These directors will never completely betray the original work, yet they give the film a signature feel, whether it is by altering the story to shed new light on the characters or simply creating a rich visual world for the characters to inhabit...

Author: By Stephen A. Black, CONTRIBTING WRITER | Title: MOVIE REVIEW | 9/30/2005 | See Source »

...design, done by Starski’s collaborator on the latter two films, is equally beautiful. Unlike the over-the-top designs that seem to be employed in films about the mid-19th century like “Gangs of New York,” the costumes in Oliver Twist seem like the genuine articles: the poor and rich appear authentically...

Author: By Stephen A. Black, CONTRIBTING WRITER | Title: MOVIE REVIEW | 9/30/2005 | See Source »

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