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Unfortunately, the production fails to realize that the dialogue in itself is the attraction of these plays, not the development of characters or progress of the story. While After Magritte is tolerably brief, The Real Inspector Hound, performed with the same cast, ponderously follows every twist in the script...

Author: By Jess M. Bravin, | Title: After Magritte and The Real Inspector Hound | 4/23/1987 | See Source »

Like After Magritte, The Real Inspector Hound is a detective parody; the twist here is to blur the lines between audience, reviewer, cast and character. The "mystery," such as it is, is irrelevant, merely serving as an excuse for Stoppard to play with conventions of the stage. Set in a Gothic mansion on the moors, a group of caricatures expound upon their social problems--but somewhere outside, an escaped criminal lurks. The players include a dimwitted blonde (Susan Kelly), a melodramatic maiden (Meg Schellenberg) and a gruff crippled veteran (Wise) who play cards endlessly. Into the scene comes a stranger...

Author: By Jess M. Bravin, | Title: After Magritte and The Real Inspector Hound | 4/23/1987 | See Source »

...scene yesterday at Soldiers Field was reminiscent of the old playground days--with a twist. The smaller kids beat up the bully...

Author: By Casey J. Lartigue jr., | Title: Ruggers Rough Up Kutztown, 9-4 | 4/17/1987 | See Source »

...Broadway audiences were chilled by The Bad Seed. The title character of that melodrama was a homicidal moppet whose appearance was so angelic that no one but her mother suspected the hidden crimes. British Novelist B.M. Gill has given the premise a sardonic twist: in Nursery Crimes, wicked little Zanny repeatedly confesses to several murders but is so widely disbelieved that she concludes her sins are minor, subject to a penance of three Hail Marys. At home, at school, in church and even among the police, grownups fail her. The story's most compelling relationship unfolds between Zanny...

Author: /time Magazine | Title: Bookends: Apr. 13, 1987 | 4/13/1987 | See Source »

...book Walzer gives the communitarian argument a new twist. He likens legitimate social critique to the reading of literature. Just as there may be no definitive best reading of a poem, Walzer argues, so neither you nor your roommate may be able to give the best interpretation of your earlier agreement. But neither the difficulty of textual criticism nor that of resolving exactly what you meant four weeks ago needs prevent your attempt to do just that. when your roommate says,"you think Madonna is disturbing--I can't work without her," you can respond by pointing out the noise...

Author: By David Steiner, | Title: Far From Home | 4/9/1987 | See Source »

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