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...piece on a film partly about music would be complete without some reference to the soundtrack, and Baskin's score makes the task easier. While most of the songs sound like a second-rate version of Laura Nyro with a jazzy twist and a male voice, the occasional poetic outbursts in his lyrics do draw attention. Baskin seems to be treading on all too familiar ground...

Author: By Joe Contreras, | Title: Grown-Up Wasteland | 4/19/1977 | See Source »

...amateurish film review of Heart Throbs '77 (March 28) at Off the Wall. A thorough refutation would fill pages, but choosing a few of the most blatant will suffice. Whitaker totally misses the point of Gunvor Nelson's Take Off, dismissing it as "a long strip-tease...with a twist...sexist, definitely." Robert Taylor, Boston Globe art critic, wrote "finishes as a comment on the fact that the stripper's exhibitionism has robbed her of every tatter of human identity." To say that Take Off is sexist because of the striptease is analagous to calling Roots racis, because it depicted...

Author: NO WRITER ATTRIBUTED | Title: Flick Flack | 4/15/1977 | See Source »

...bitter irony of the day was that neither plane had been scheduled to land at Tenerife at all. Both had been headed for El Gando Airport in Las Palmas on Grand Canary Island some 50 miles away. In a plot twist that even Hollywood would have thought farfetched, a bomb had exploded in a vase in a flower shop at El Gando shortly before the planes were due to land there. Both were diverted to Tenerife-and had been cleared to resume their journeys when the fatal encounter occurred...

Author: /time Magazine | Title: The World: Fatal Appointment in Tenerife | 4/4/1977 | See Source »

Each Jesus film or novel creates its own twist, and with Zeffirelli's version it is the recasting of the great betrayer Judas Iscariot (Ian MacShane). Far from the calculating hypocrite of tradition, the TV Judas is a confused young man who leads the soldiers to Jesus so he can clear himself, never realizing that a trial will occur. He is the innocent tool of Zerah (Ian Holm), a fictional priest who is the villain in the Sanhedrin...

Author: /time Magazine | Title: Religion: Franco Zeffirelli's Classical Christ for Prime Time | 4/4/1977 | See Source »

...assumption seems to be that if it is funny and perverse, it escapes sexism. For example, one short consists of a long strip-tease worthy of New Orleans and Blaze Starr, but with a twist. Once the stripper is down to her G-string, she starts taking off her hair and limbs, until nothing is left but a breastless torso. Funny, maybe; sexist, definitely--which is to question why Off the Wall should have pretended otherwise...

Author: By Mark T. Whitaker, | Title: Puerile Palpitations | 3/28/1977 | See Source »

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