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HOLLYWOOD OF THE 1930s is a vast, vulgar and meretricious beauty, and Monroe Stahr, boy wonder, is at her service. Stahr's business is making pictures, transmuting the dreams of Depression-deadened America into vendable celluloid. His is an Horatio Alger story with an F. Scott Fitzgerald twist, a saga of material success rooted in romantic illusion. For a while, Stahr can have his cake and sell it too; but the crisis comes when he tries to shape his own life in the image of the movies by snatching happiness from an ill-fated love affair. For Fitzgerald, success...

Author: By Julia M. Klein, | Title: Movie-Making | 3/17/1977 | See Source »

...normative mode for treating kids is to lock them up--institutionalize them in some Oliver Twist-esque barn," Calhoun says, referring to the old training schools. He said that Massachusetts leads the country in the use of the more humane, community-based facilities like half-way houses...

Author: By Mary G. Gotschall, | Title: Substituting minibikes for hot cars | 3/3/1977 | See Source »

...empty net at 18:04?" you ask. Come on, let's twist again...

Author: By Sandy Cardin, | Title: J.V. Icemen Slow Up Minutemen, 6-3 | 2/24/1977 | See Source »

...dramatization that set off this vast craving for the book and that reached so deeply into Americans' minds. Part of its success may have come from the use of familiar techniques of TV melodrama?with a twist: the heroes and heroines were black. Said black Historian Benjamin Quarles of Morgan State College in Maryland: "There was the threat of violence, the appeal of sex, all building up to a wonderful climax?all the things that make for good television...

Author: /time Magazine | Title: WHY 'ROOTS' HIT HOME | 2/14/1977 | See Source »

...appropriate the spoils of war. Suddenly a figure in white leaps down from an overhanging bluff, saving the young marquise's honor and perhaps her life. The savior takes the distraught marquise to safety and receives her father's effusive thanks. Sound familiar? Ah, but there's a twist. The smitten young officer takes the marquise's honor himself, while she is in the depths of opium-induced slumber. For the next two hours or so, Rohmer and Kleist provide us with an object lesson in the ways in which rigid social and religious mores can blind people...

Author: NO WRITER ATTRIBUTED | Title: FILM | 2/9/1977 | See Source »

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