Word: twitches
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Dates: during 1980-1989
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JACK NICHOLSON plays Jack Torrance with an incredible range of facial contortions and emotional gyrations. He keeps us laughing nervously along, alienated from Shelley Duvall's goofy Wendy, eager to see what new twitch he will add to his repertoire. His eyebrows flap like crazy crows and his mouth and eyes twist into an astounding collection of evil leers. Even his voice changes frequency. This brilliantly amusing psychopath is a stylized mixture of madman and dramatic artist, one glazed eye directed at himself, the other on Danny, who is played to terrified perfection by little Danny Lloyd...
Such record-setting news scratches up a brief twitch of public interest and a flurry of deserved hurrahs. Yet the tidings of singular achievement seem less and less to arouse genuine excitement. New records come along so frequently, and in so many categories, that it is impossible to work up the appropriate celebratory mood for every one of them. The exceptional is in danger of becoming commonplace...
Though she allows her tale to veer toward farce, Tyler always checks it in time with the tug of an emotion, a twitch of regret. Morgan's responses are outrageous, but his stimuli are natural. He reminds Bonny of how he used to fear that their baby girls would die: " 'Relax,' you'd say. Remember? But now look: it's as if they died after all. Those funny little roly-poly toddlers, Amy in her Oshkosh overalls-they're dead, aren't they?" His bitter conclusion: "They've dumped their hamsters...
Every court must have a king. Jerome Robbins is the monarch of West Side Story. Beyond that, he is the Jove of theater choreography. His dances are thunder bolts of invention, and his dancers are the messengers of his precise, uncompromising will. From the faintest twitch of a shoulder to hurricane tides of mass action, he is the master of the rhetoric of bodily motion. He can turn his dancers into airborne balletic Ariels who touch the ground merely to skip skyward again...