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...audio-visual art forms that threaten to turn into total pinball-machine environments. But Barthelme, 37, continues to demonstrate that language can be a mixed-media production all by itself. He translates the chipped teacups, navel lint, prattle and random static of life into even rows of words that twitter, bong, flash and glow signals of exquisite distress...

Author: /time Magazine | Title: Books: Social-Science Fiction | 5/24/1968 | See Source »

...ballet. Gossamer goddesses tippy-toeing through the glades. Princes bounding about like young stallions. And then, after a twitter of arabesques, the embrace. Ecstasy...

Author: /time Magazine | Title: Dance: The Great Leap Forward | 3/15/1968 | See Source »

Music on the Move. At the Quebec pavilion, for example, a series of almost blank abstractions-freestanding blocks representing water, forests, industry-is bathed in an electronic score, by Canadian Broadcasting Corporation Staff Composer Gilles Tremblay, in which lab-produced whir, twitter and roar complement the visual suggestions. High overhead the individual sound tracks collide and coalesce into a contrapuntal aural landscape...

Author: /time Magazine | Title: Trends: Seeing Sounds | 10/6/1967 | See Source »

...World. What makes Barry distinctive is his ability to project the mood of a film-"a certain smell that unifies," as he says-with offbeat instrumentation that titillates without distracting. Against a backdrop of gently swelling strings, he punctuates the action with a rippling organ (young love), a nervous twitter from a marimba (trouble in the streets), or perhaps the distant, breathy wailing of a girl's voice (ecstasy). One of his favorite instruments is the Hungarian cimbalom, which looks like the innards of a piano and sounds like an oversexed harpsichord. Rather than treat each scene with...

Author: /time Magazine | Title: Composers: Aboard the Bondwagon | 1/14/1966 | See Source »

...outside Passoni's Grocery Store on the potholed main drag of Mogadishu, capital of Somalia. Italian Settler Passoni, an enterprising sort, was raffling off boxes of groceries. Suddenly, a news bulletin from neighboring Kenya blared from a radio in a bar next door. An instant later, the guttural twitter that is the Somali tongue became an ominous muttering, and the crowd of 500 was on the rampage. Stoning cars, the Somalis marched to the British embassy, touching off three days of shouting, window-smashing riots...

Author: /time Magazine | Title: Somalia: Who Owns What? | 3/22/1963 | See Source »

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