Word: two
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Dates: during 1920-1929
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...knee that is their business. The Pencil Man will not take from any patient more than three Austrian shillings (42?). He seldom pencils a man or woman for more than 30 seconds, treats hundreds of poor "patients" free. In 40 years of eccentric hocus-pocus he has never broken two rules: i) The groups he pencils must always be of assorted sexes, and always seminude; 2) He will pencil no one privately, though hundreds of prominent people, unwilling to endure the public ordeal, have sent him blank checks for a private consultation. He always refuses, returning the checks blank. Recently...
...from Manchuria, Chinese and Russian soldiers have scowled at each other across Manchuria's barren border, fired occasional shots, made desultory raids. Last week tension snapped. Soviet strategists, choosing a moment when civil war wracked half of China, sent four modern divisions, complete with tanks. over the line. Two divisions moved west from Vladivostok, two east from Chita to clamp Manchuria in a Soviet vise...
...late great John Pierpont Morgan once sat for his portrait. Because he sat impatiently, badly, the painter wanted a photograph to help him. Banker Morgan agreed to allow a photographer just two minutes for the job. The next day he arrived punctually to find Photographer Edward J. Steichen, 27, waiting for him. Mr. Steichen had been there for a half-hour studying lights and shades, posing the janitor of the building in the chair where Banker Morgan would sit. Briskly he shunted the sitter to his seat. Banker Morgan sat down, glared into the lens. Snap. One picture was taken...
...Morgan moved his head around, then swung it back into the identical position. But Photographer Steichen had got what he wanted?his subject had relaxed. It was the same pose, but more naturally and easily arrived at. Snap. Another picture. Exactly two minutes had elapsed...
When Photographer Steichen next saw Banker Morgan, he showed him prints of the two pictures. Banker Morgan liked the first, tense pose, ordered a dozen copies. The second, Photographer Steichen's favorite, showed the subject looming characteristically massive out of Rembrandtesque shadow. A trick of light made the chair arm look like a broad, naked knife in Banker Morgan's hand. Banker Morgan looked at this picture, tore it in shreds...