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Word: two (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...valleys of central Pennsylvania by stagecoach, canal boat and horseback, looking for money to start a new school. That fall, with donations given by thrifty churchmen ranging from 25? to $25,000,* the school that was to become Bucknell University held its first classes-22 students meeting with two professors in the Baptist Church basement in quiet Lewisburg...

Author: /time Magazine | Title: Education: Bucknell's Ninth | 8/29/1949 | See Source »

...reeking garbage and broken bottles, and stepped past the bodies of sleeping derelicts on the sidewalks, Daily News Managing Editor Everett C. Norlander felt his stomach turn over. His next reaction was that he was walking through a good story. When he got to his office, he called in two young rewrite men and asked: "How would you like to be bums for a while?" What Norlander wanted was an inside story of Skid Row to shock Chicago's complacent citizens into cleaning up the shame of their city...

Author: /time Magazine | Title: The Press: Land of the Living Dead | 8/29/1949 | See Source »

Nights Off. Tough as they were, Mooney and Bird soon found that Skid Row was tougher. One time Mooney got violently ill having a sociable drink of beer and wine, and had to quit for the day. After one night in a bug-infested hotel, the two reporters gave up, slipped home of nights to their own beds...

Author: /time Magazine | Title: The Press: Land of the Living Dead | 8/29/1949 | See Source »

Nobody on the Daily News except Norlander and City Editor Clem Lane knew what had happened to the two rewrite men. One sharp-eyed staffer, who asked Lane about Bird, was told that he was working on a special story. Said the staffer: "The hell he is. I just saw him sitting on a curb on Skid Row. Boy, what a bender he must...

Author: /time Magazine | Title: The Press: Land of the Living Dead | 8/29/1949 | See Source »

...best in the show, a tempera House by the Seashore (see cut) by the University of Wisconsin's Ray Obermayr, owed an obvious debt to the two living U.S. masters: Charles Burchfield and Edward Hopper. It struck a low blue note characteristic of the exhibition as a whole. Buffalo's Hubert Raczka had painted a lonely little figure through the bars of a fire escape, called it Insignificance. The Portland Museum School's Robert Galaher had wrapped his hulking Circus Worker in a sad, smokelike haze, and Milwaukee's John Pagac had contributed a fatly photographic...

Author: /time Magazine | Title: Art: Sneak Preview | 8/29/1949 | See Source »

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