Word: two
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Dates: during 1950-1959
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...with psychological unity: Jesus saw children who were being suckled. He said to his disciples: These children who are being suckled are like those who enter the Kingdom. They said to Him: Shall we then, being children, enter the Kingdom? Jesus said to them: When you make the two one, and when you make the inner as the outer and the outer as the inner and the above as the below, and when you make the male and the female into a single one . . . then shall you enter the Kingdom...
...with a familiar biblical echo: The man old in days will not hesitate to ask a little child of seven days about the place of Life, and he will live.For many who are first shall become last and they shall be come a single one . . . When you make the two one, you shall become sons of Man, and when you say: "Mountain, be moved," it will be moved...
Christians will treasure many of these sayings for their restatements of familiar themes (It is impossible for a man to mount two horses and to stretch two bows, and it is impossible for a servant to serve two masters), as well as for their beauty and ring: Jesus said: I have cast fire upon the world, and see, I guard it until the world is afire...
...Lauren Bacall. "In some sort of jazzy, Old Testament way," says his best friend (Sydney Chaplin), "you're being punished." The show had one ending when it opened in Pittsburgh, another by the time it got to Detroit, will probably have several more before it finishes its two months on the road. The Detroit Times found the "situations and dialogue so uniformly funny . . . that even the most racy moments are disarming." ¶ Saratoga has been dressed up by Designer Cecil Beaton, but Morton DaCosta's musical version of Edna Ferber's Saratoga Trunk does not yet live...
...immense talent full range. Somerset Maugham's biting novel of a man in the grip of artistic demons was formidable for transformation into less than 90 minutes of television drama. Before Playwright S. Lee (People Kill People Sometimes) Pogostin was called in, along with Director Bob Mulligan, two other scriptwriters had fumbled the job. After 48 hours packed with pencil work, pep pills and black coffee, Pogostin and Mulligan had built a play that pleased both Olivier and Producer David Susskind. In the process, they lost some of the novel's dark energy; they never adequately explained...