Word: two
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Dates: during 2000-2009
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...Goto: I went to an unspecialized private school in New York, and I got to do a lot of things and have a wide perspective. But I had been to Julliard Pre-College for two years, and I saw the kind of difficulty [my friends] had to go through psychologically. In a conservatory, there’s only one way in and one way out, and that crushes a lot of people. Some are able to pull it off—to go through that tunnel by sheer willpower and talent and emerge as a giant in the field...
...with the tidal wave of Black Power and the Black Arts movement,” he says of his teenage years. African American music and culture gave him a way to understand his Asian American identity, and he melded together these two influences in his explorations of jazz, which for him represents “the journey of the search for my identity and how we can achieve liberation...
...Nearly two months ago, this column chronicled a financial misadventure whereby I got stuck paying $70 in overdraft fees to Bank of America because I had overdrafted my account by $6. In case you can’t remember that far back, the mood was outrage. I had been automatically enrolled in a so-called service—of which there is no opting out—that charges $35 for transactions you make when you have no money left in your checking account...
...band’s debut. Opener “No One Loves Me & Neither Do I” sees its guitars set about slowly and heavily crushing what melody there is. Proceeding at a restrained pace for a while before shifting into an incredible stomp for its final two minutes, the unrelenting assault of the opener proves that TCV have no intention of making shiny guitar rock like Foo Fighters or the classic heavy metal of Led Zeppelin. This is very much QOTSA-style, furiously aggressive hard rock...
...aggression of TCV’s music does not mean that the album lacks its accessible moments. The album front-loads its two catchiest songs immediately after the opener. “Mind Eraser, No Chaser” features vocals by both Grohl and Homme, although this serves only to reiterate the superiority of the latter. Grohl’s over-enthusiastic and humorless singing pales by comparison with Homme’s sophisticated sneer, and fortunately most of the album sees Grohl consigned to his natural place, behind the drum kit, providing successfully muscular, if surpisingly understated, beats...