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Dates: during 2000-2009
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...supporting roles, the warm baritone of Robert A. Knoll ’13 lends humanity to the lonely vicar Dr. Daly. The mother-daughter pair of Mrs. Parlet (Amrita S. Dani ’13) and Constance (Megan M. Savage ’10), two excessively emotional villagers, also give solid comic turns. And when the entire ensemble appears together in the finales to both acts, the performers’ shared delight in the music creates a wonderful, tangible energy...

Author: By Julian B. Gewirtz | Title: Cast of ‘Sorcerer’ Spellbinding | 11/13/2009 | See Source »

...this gaiety, the production incorporates the choreography of Antonia M. Pugliese ’12, with varying success. In particular, during Sir Marmaduke and Lady Sangazure’s duet “Welcome, Joy!” the busy movements distract from the comic interaction between the two self-important aristocrats. But the chorus dances well in a number of scenes, adding to the production’s festive feel...

Author: By Julian B. Gewirtz | Title: Cast of ‘Sorcerer’ Spellbinding | 11/13/2009 | See Source »

...fail is too big not to fail,” Spitzer said. “There are only two people who seem not to get that so far: [Former University President and National Economic Council Director] Larry Summers and [Treasury Secretary] Tim Geithner...

Author: By Danielle J. Kolin | Title: Spitzer Discusses Economic Crisis | 11/13/2009 | See Source »

...outsell all previous “Idol” winners. The next three years made Cowell appear remarkably astute. As Ruben Studdard and Fantasia Barrino fell by the wayside, and Kelly Clarkson grappled with artistic—and perhaps just general—confusion, Underwood’s first two albums established her as Nashville’s leading female star. With a string of country number-ones and an uncontroversial personal life, Underwood’s was verily an unqualified success story...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: Carrie Underwood | 11/13/2009 | See Source »

...past two years have seen that narrative interrupted, not so much by missteps on Underwood’s part but, rather, by the emergence of rivals: Miranda Lambert, whose fiery country-rock made Underwood seem tame by comparison, and, above all, Taylor Swift, a true singer-songwriter whose undeniable hooks, felt lyrics and incandescent enthusiasm have propelled her to a level of national stardom far above Underwood. It is no coincidence, then, that in the same week that Swift has a Springsteen-esque seven singles simultaneously in the Top 50 (pop, not country), Carrie Underwood released an album that from...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: Carrie Underwood | 11/13/2009 | See Source »

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