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...most frustrating part of the movie is the sheer number of major characters. It is difficult to develop 15 personalities in less than two hours, especially when those hours are chock-full of fabulous shining armor and giant scorpions. Often a supposedly major character will have an epiphany, only to be killed three minutes later...
...major player as the events of the story unfold. And yet Andromeda is essentially forgotten until the end of the movie when Perseus returns to Argos to save her. The film could have been improved if characters such as the princess, one or two of the Argonese soldiers, and Perseus’ third dad were simply removed...
...make no sense—there’s an atom of plausibility to the inanity, which implicates the listener in every ridiculous convolution of his thought process. On average, any sentence out of Karl’s mouth is more amusing than the cumulative value of most twenty-two minute sitcoms...
Gervais and Merchant’s acquaintance with Pilkington is the comedic equivalent of the discovery of penicillin. Before the success of “The Office,” the two had co-presented a radio show on Xfm London. Upon their return to the station in 2001, they were serendipitously assigned Pilkington as their producer. Little by little, Gervais and Merchant realized the volume of the wondrous iceberg of Karl’s weirdness, and his airtime steadily increased...
...Media scenography,” a term coined by Heide Hagebölling, is the union of two classical Greek root words. Hagebölling, who gave a lecture—“Media Scenography: Creative Approaches in Intermedia and Public Art”—at the Carpenter Center last Thursday evening, is a professor at the Academy of Media Arts in Cologne, Germany. “‘Sceno,’” she explained, “is the architectural aspect of the ancient Greek theatre, or the mise en scene...