Word: twyla
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...Robert Wilson's slow-motion dreamscapes have influenced not only a neophyte filmmaker like Byrne but an experienced theater director like Andrei Serban. Performance art, an offbeat amalgam of music, theater, narration and stand-up comedy, has caught flight on the puckish wings of Laurie Anderson. Choreographers such as Twyla Tharp, Lucinda Childs and Laura Dean have pushed out the envelope of movement with each new step they have taken...
...rock all flowed together into a single swift stream, which Byrne navigated effortlessly (see following story). He also wrote scores for the spectacular theatrical ruminations of Robert Wilson (The Knee Plays, segments of Wilson's grand-scale project, the CIVIL warS) and the spirited, quirky choreography of Twyla Tharp. "He is very precise and very careful," Tharp says admiringly. "He doesn't waste things, but he is also capable of being very adventuresome and working with great imagination in a studio." Indeed, Byrne's 73-minute score for Tharp's The Catherine Wheel was a dazzling bit of aw-shucks...
...freedom means choice, then Baryshnikov reveled in it, pursuing myriad options. He has worked with a dozen or so choreographers. With Twyla Tharp's brilliant Push Comes to Shove (1976), his flair for comedy burst out. In 1977 he became a Hollywood star, playing a famous dancer in The Turning Point. (Another film, White Nights, will be released at Christmas.) The lorn Petrouchka began to seem like a Slavic Jimmy Cagney...
...dance, Glass is composing a new work for Choreographer Twyla Tharp to be produced in 1986. His CBS album of chamber music, Glassworks, part of which was used by Jerome Robbins for a hit ballet called Glass Pieces, has sold 115,000 copies worldwide since its 1982 release. In Cannes recently, Glass and two others shared the prize for Best Artistic Contribution for their work on Director Paul Schrader's new film Mishima, about the Japanese novelist and warrior manque; Glass also scored Godfrey Reggio's 1982 vision of environmental apocalypse, Koyaanisqatsi. Currently the composer is finishing a new opera...
...better as a dancer. Her timing and placement are precise, and she uses her body with humor (sitting on the floor and wiggling backward out of a cancan skirt), sexual invitation (in the bumps and grinds of a vulgar parody of some black choreography), and grace (in the irregular, Twyla Tharpish movements created for her by Director-Choreographer Alan Johnston). She highlights the dances' meaning with a panoply of facial expressions: she may be the best mugger since Lucille Ball...