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...premise of such heady deliberations is that graffiti is art-a premise supported over the past decade by several people with brains. In 1973 Twyla Tharp introduced the ballet Deuce Coupe, which used the doubly delightful background of music by the Beach Boys and six graffitists shooting spray cans at panels...

Author: /time Magazine | Title: Essay: Waiting for Mr. Shuttleworth | 2/15/1982 | See Source »

Germany's contribution is Ludwig van Beethoven, an eleven-hour series in which Leonard Bernstein conducts the Vienna Philharmonic in all nine symphonies and assorted lesser works. By the standards of commercial television, the American 60% is made up of generally low-budget productions: the dance troupes of Twyla Tharp and May O'Donnell, Count Basie at Carnegie Hall and Elizabeth Swados' musical reworking of poems by William Blake. The host and narrator for most of the programming is Patrick Watson, 51, a Canadian journalist, broadcaster and writer who wears a dinner jacket, affects a hearty manner...

Author: /time Magazine | Title: Video: Cable's Cultural Crapshoot | 10/26/1981 | See Source »

...remained constant: after 233 world premieres, the A.D.F. is still the incubator of the eclectic, divisive energy of the art form, a center of experimentation. In its "Emerging Generation" series, as many avant-garde oddities as real innovations have appeared. Overall the record is commendable: the series gave Twyla Tharp, Laura Dean and Senta Driver a widening public acceptance. Says Festival President Charles Reinhart, 50, who took over the A.D.F. in 1969: "For these kids, this is like a bullfighter appearing in Madrid. It's the big time...

Author: /time Magazine | Title: Dance: Synthesizer Chic in North Carolina | 7/27/1981 | See Source »

...number, the latest Russian, the Japanese ballerina who can hold a pose on point till intermission? Their places were taken by regular members of the company, and fewer than half the top box office names even performed. There were just four dances on the program and no encores. Until Twyla Tharp's roof-raising Push Comes to Shove, the audience seemed in shock. They were learning what the A.B.T. company discovered several months ago: when Mikhail Baryshnikov took over as artistic director, he wanted changes and he meant business...

Author: /time Magazine | Title: Dance: Baryshnikov Remodels the A.B.T. | 5/4/1981 | See Source »

When the rest of the Class of 1980 picks up their diplomas today, Elizabeth Wilkerson '80 may be dancing. Two months ago she was awarded a month-long scholarship starting June 1 to study with Twyla Tharp's dance company near Andover, Massachusetts. If the company wants her today, she will stay...

Author: By Esme C. Murphy, | Title: You Should Be Dancing | 6/5/1980 | See Source »

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