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Ethan Stiefel, the greatest American-born male ballet dancer since Edward Villella, has appeared in a dazzlingly wide range of works since joining American Ballet Theatre in 1997--Le Corsaire, Billy the Kid, Balanchine's Apollo, Twyla Tharp's Push Comes to Shove--performing them all with a casual virtuosity and unmannered grace worthy of Fred Astaire. On Oct. 26, Stiefel adds a new role to his repertoire: the male lead in Dim Lustre, Antony Tudor's rarely seen, piercingly Proustian tale of remembered love. It's part of A.B.T.'s New York City winter season...

Author: /time Magazine | Title: Fall Preview: Fall Preview | 9/3/2001 | See Source »

...that the middle-aged Mikhail Baryshnikov has retrofitted himself as a modern dancer, what young hotshot is going to fill his ballet slippers? A.B.T.'s Ethan Stiefel debuted in the Baryshnikov role of Twyla Tharp's Push Comes to Shove in New York City last week, giving a performance that had the stylistic curiosity, the eye-grabbing virtuosity--everything, in fact, but Misha's sly wit. There will never, ever be another Baryshnikov, but Stiefel, 26, is well on his way to becoming the great American male ballet dancer of his generation...

Author: /time Magazine | Title: Dance: Push Comes To Shove | 6/21/1999 | See Source »

Wheeldon's speedy rise to the top is partly due to a nearly complete lack of competition. The top American choreographers, Robbins and Eliot Feld excepted, have mainly preferred modern dance to ballet. Hungry for premieres, classical companies are increasingly turning to modern crossovers like Mark Morris and Twyla Tharp, whose highly personal reworkings of ballet technique are often refreshing but rarely idiomatic. While a few regional ballet masters are doing interesting work, none to date have won much more than local celebrity...

Author: /time Magazine | Title: Dance: Christopher Wheeldon: Master of His Domain | 5/31/1999 | See Source »

Radcliffe Dance Program. Martha, Martha! Twyla, Twyla...

Author: NO WRITER ATTRIBUTED | Title: YOU CAN DANCE. | 2/25/1999 | See Source »

...women's movement) with similar notions. But it was her homegrown technique--the fierce pelvic contractions, the rugged "floor work" that startled those who took for granted that real dancers soared through the air--that caught on, becoming the cornerstone of postwar modern dance. Merce Cunningham, Paul Taylor, Twyla Tharp, Mark Morris--all are Graham's children and grandchildren. (Taylor and Cunningham even danced in her company, though they later repudiated her high-strung style.) Her methods are routinely taught today in studios the world over, but you need not have studied them or even have seen...

Author: /time Magazine | Title: The Dancer MARTHA GRAHAM | 6/8/1998 | See Source »

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