Word: tympani
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...artistic integrity Shepard says he wrote Angel City after a bad experience in an office in Hollywood and his cynical pessimism shows through every line of the script Each character in the play has a dream Lanx wants to be a boxer, Miss Scoons wants to be an actress. Tympani dreams of owning a diner And each has sold out, abandoned his integrity in order to try and claw his way to the top Money is the driving force in Angel City and any movie its inhabitants create is considered terrific as long as it sells...
...extraordinary talent of Ben Halley, Jr., so fully and wonderfully exploited in Big River shines very little in Angel City As Tympani Halley rolls his head wildly, concentrating on his quest for the perfect rhythm. But his energy is dulled, pulled down by the production's lethargy, John Bottoms as Rabbit is the worst offender, however, in the category of torpid A R T actors. I'm after power, "he whimpers, but the audience knows that all he needs is a good night's sleep...
...moves through the station. Janney calls it the "further adventures of translating people's movements into sound," and an adventure it will be. He can't quite seem to put his finger on what he wants to do: "Tuesdays it might sound like oboes inside Carnegie Hall; Wednesdays, tympani in a studio; Thursdays, flutes in the Gardner Museum. His confusion is symptomatic of the show...
...prologue promised opera on a grand scale. An eerie rumble of double basses and tympani built in the pit. Then a beam of light stabbed down onto the blackened stage, illuminating the figure of the blind poet Milton (Arnold Moss). "Hail, holy light!" he intoned. The choir of black-robed, monklike figures, clustered on either side of the stage in two four-tiered towers, burst forth in a great invocation: "What in us is dark/ Illumine...
...concerto's first movement Allegro signalled some of the unusual, if dubious instrumentation which Gershwin wrote into the work. Elegant piano flurries, which Melnyk delivered with consummate clearness and excitement, seemed more than once gratuitously marred by chopping sounds from the tympani. But Gershwin's orchestration is extolled as clever or charming by many; there's no point in carping about something which many people inveterately enjoy. The performance of such unusual sections and of the rest of the piece was usually quite exciting, due in large part to the pianist's resounding and sensitive execution. The orchestra was particularly...