Word: tympanis
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...Senturia's pared-down orchestra (the Symphony is scored for brass, winds, tympani and 'cellos) provided an admirable accompaniment. The first desk winds handled the fugal introduction to the second psalm with ease, a particularly delicate passage full of grace and restraint, and in the more monolithic third psalm the brasses showed strength and carefully controlled enthusiasm...
Somer's technique is based on the fact that in the usual symphony orchestra, the higher pitched instruments (violins and higher winds) are concentrated on the left, the lower pitched instruments (cellos, bass, brass, tympani) to the right. With a maze of controls he called "the rat's nest," Somer was able to divide a monophonic recording into two separate sound tracks, generally using a high-pass filter to channel the high-frequency violins and winds to the left, a low-pass filter to place the low-frequency instruments to the right. With further gimmicks, such...
...melodic Music for Orchestra 1957, specially composed for the tour. The traveling orchestra had its casualties, but only one musician missed a plane, and he was delivered (to Athens) on a cargo plane in time to make the concert. Spare reeds and strings were plentiful; even the tympani player got around his problem of extremes of humidity by putting the drumheads under a hair drier when they loosened in damp climates and covering them with wet diapers when they got too tight in dry climates...
...Pont was fond of organ music but was also hard of hearing, so he built one of the most formidable organs on earth, incorporating a percussion division, harps, celesta, drums, xylophone, tympani, tambourine, tom-tom. Chinese gong and 11,000 pipes, ranging from pencil size (8,000 vibrations a second) to one 34 feet tall and weighing a long ton (13 vibrations a second). Mrs. du Pont could hear...
...baby kept on growing. Thousands of pipes were crowded into the organ lofts, and the three basement rooms became filled with the complex wind and control machinery, e.g., five electric motors, coupler relays, etc. Besides the ordinary stops, Mayer acquired such theatrical effects as a cymbal crash, a tympani roll, a drum stroke. In 1950, a wealthy alumnus gave Mayer a second new console, a $35,000 item that contained 1,622 parts, including 757 stop keys, 218 combinations and 248 miscellaneous gadgets (e.g., a toe-touch stud that brings on a soft stop with one kick, adds a louder...