Word: tympany
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Dates: during 1960-1969
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...sure a solemn chorus, robbed in purple, comments on the action in song, but their accompaniment is a jarring, discordant arrangement of oboes, tympani, drums, and piano (written by Guzzetti himself). An angular, jagged set complements the music and helps undercut the stolid dignity of the purely tragic form...
...Senturia's pared-down orchestra (the Symphony is scored for brass, winds, tympani and 'cellos) provided an admirable accompaniment. The first desk winds handled the fugal introduction to the second psalm with ease, a particularly delicate passage full of grace and restraint, and in the more monolithic third psalm the brasses showed strength and carefully controlled enthusiasm...
Somer's technique is based on the fact that in the usual symphony orchestra, the higher pitched instruments (violins and higher winds) are concentrated on the left, the lower pitched instruments (cellos, bass, brass, tympani) to the right. With a maze of controls he called "the rat's nest," Somer was able to divide a monophonic recording into two separate sound tracks, generally using a high-pass filter to channel the high-frequency violins and winds to the left, a low-pass filter to place the low-frequency instruments to the right. With further gimmicks, such...