Word: tynan
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Dates: during 1960-1969
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...Lolita; Sally Kirkland, actress in several erotic and/or nude plays; Jacques Levy, director of Oh! Calcutta!, America Hurrah and Scuba Duba; Charles Rembar, the attorney who successfully defended Lady Chatterley's Lover, Fanny Hill and Tropic of Cancer against obscenity charges; Terry Southern, author of Candy; Kenneth Tynan, British author, critic and organizer of Oh! Calcutta!; and Dr. Ernest Vandenhaag, New York University psychoanalyst and professor of social philosophy. On these pages are samplings of the conversations...
...CALCUTTA! is, for a good part of the evening, diverting and civilized, though it scarcely provides the "elegant erotica" that Kenneth Tynan promised. If it gets a minus on eroticism, the show does get two solid plusses for the laughter it evokes and its celebration of the body beautiful...
...days in which the drawing room apes the gutter and nudity is the ultimate in chic. Such plays can be crude (Che!), deviant (Geese) or playful (Hair). For a good part of the evening, Oh! Calcutta! is diverting and civilized, though it scarcely provides the "elegant erotica" that Kenneth Tynan promised when he devised the show. Far from being a sexual stimulant, Oh! Calcutta! is an anaphrodisiac...
...format of Oh! Calcutta! is rather like that of short short stories and cartoons strung together in the revue fashion of a supper-club show. Though the program does not say who wrote what, the playwrights include Samuel Beckett, Dan Greenburg, Jules Feiffer, John Lennon, Leonard Melfi, Sam Shepard, Tynan himself, and others. Their playlets will doubtless enhance their royalties if not their reputations...
Lear should be a storm, as well as be in a storm; Cobb is not quite up to that. He is more like Job than Jove. When he hurls his anathemas, he tends to scream unintelligibly, suggesting the hapless actor of whom Kenneth Tynan wrote that listening to his Lear "was like lip reading Shakespeare by flashes of lightning." But during the storm on the heath, Cobb's Lear gains in compassionate wisdom what he loses in pride and sanity. As he shelters the shivering Fool, listens to the gibberings of mad Tom and later gazes into the bloody, eyeless...