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...Nazi and proCommunist, the couple fled Hitler's Germany in 1933, lived in Denmark and the U.S., then returned to East Germany after the war. For the past 15 years Weigel directed the famed Berliner Ensemble, the repertory company founded by Brecht. "What Brecht prescribed," wrote Critic Kenneth Tynan in 1961, "his widow embodies: the maxim that there is no such thing as a character ungoverned by a social context...

Author: /time Magazine | Title: Milestones, May 17, 1971 | 5/17/1971 | See Source »

...watching Look Back in Anger, his audience was aroused precisely because of the social context-and the moral values that went with it-which "hero" Jimmy Porter's nigh-anarchistic statements reviled. And part of the joy that young Britons felt in experiencing the play-and glorified by Kenneth Tynan in his influential reviews-came from Osborne-Porter's own delight in consciously attacking the symbols of decency and stability which had been lulling the progeny of the Welfare State into complacent acceptance and lethargy, where life was guaranteed, but spirit was not. In Osborne's play, Porter's rage...

Author: By Michael Sragow, | Title: Theatre Look Back in Anger Tonight at the Loeb Ex | 3/13/1971 | See Source »

...interpreted by Polanski and his fellow adapter, Critic Kenneth Tynan, those characters are a radical departure from tradition. "Usually," says Polanski, "Macbeth is played as an unpleasant bearded chap, Lady Macbeth as a nagging bitch-and both are middle-aged." By contrast, Polanski has given the roles to attractive young unknowns: Jon Finch, 28, and Francesca Annis, 25. The idea is to make them more sympathetic, and to make her power over him more plausible by stressing its sexual basis. Argues Tynan: "This way it's a more fascinating personal story of an ambitious couple, very much in love...

Author: /time Magazine | Title: Show Business: Macbeth by Daylight | 1/25/1971 | See Source »

...English are old hands at draft evasion, what with the dearth of central heating. But it's harder with your clothes off. The London cast of Kenneth Tynan's Oh! Calcutta! got so cold standing, sitting and walking around onstage in the nude or near-nude that they threatened to get dressed. "If they do it," said Theater Owner Paul Raymond, "I'll ring down the curtain and give everybody their money back." But eventually he did turn the heating on earlier than usual; and stepped up the under-the-floor calorie content. "It's made...

Author: /time Magazine | Title: People: Dec. 14, 1970 | 12/14/1970 | See Source »

...sexual excess pursued to the point of agony and death. Demonstrating incidentally that the body costumed can be more profoundly arousing in theater than the body naked, Jarry on sex as produced by Barrault is visually delightful, intellectually provocative, closer to Sade's black understanding than to Tynan's slick preaching...

Author: /time Magazine | Title: Theater: The Paris Season | 12/7/1970 | See Source »

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