Word: tynan
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...black-humor movie, even though it becomes so incredible that it kills its own joke. Satirical cabaret groups, such as Chicago's Second City or Britain's The Establishment, have offered some of the liveliest black humor, though they can hardly meet Drama Critic Kenneth Tynan's criterion that such satire is successful only if at least a third of the audience stalks out in anger. Dick Gregory of course is the black black humorist. Lenny Bruce, the sick, beat comic who is currently appealing his conviction in New York City for obscene monologues, is still admired...
Divorced. By Kenneth Tynan, 37, drama critic for the London Observer from 1954 to 1963, now on the receiving end as literary manager for the British National Theater: Elaine Dundy, 36, Long Island-born novelist who chronicles American girls abroad (The Old Man and Me); on grounds of incompatibility; after 13 years of marriage, one child; in Juarez, Mexico...
...lingering stereotype nowadays. But no one more volubly refutes it than pixyish, thirtyish Elaine Dundy, a Long Islander of a different feather entirely. She fluttered into London via a year in Paris in 1950, soon nested high in the cultural Establishment as the wife of Drama Critic Ken neth Tynan, and has since chronicled the peregrinations of a pair of non-innocents abroad in a pair of small, bright novels...
...Nembutal, Stephen Ward-liar, drug user, pornographer, libertine and convicted pimp-was cremated in the London suburb of Mortlake. Though his solicitor had asked that no flowers be sent, there was a wreath of two hundred roses from, among others, Playwrights John Osborne and Arnold Wesker, Critic Kenneth Tynan, Novelists Angus Wilson and Alan Sillitoe, Jazzman Acker Bilk (who later withdrew his name). With the flowers came a note: "To Stephen Ward, victim of British hypocrisy." Explained Tynan: "British society created him, used him, and ruthlessly destroyed him. The Establishment has closed its ranks around its body...
...clarity, with speeches cut to their meaningful core and with action bared to the bone of violence. When writing bridge passages and interpolations, Co-Adapter Barton went back to Shakespeare's own source books-the Chronicles of Holinshed, Hall and Grafton. The Observer's Kenneth Tynan observed that the production "managed to reanimate petrified forests of genealogy so that within half an hour one knows which cousin is on whose uncle's brother's side." Barton, whose past efforts range from the successful Hollow Crown of the past Broadway season to an abortive dramatization...