Word: typecasts
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Dates: during 1960-1969
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JOAN (Vanguard). Joan Baez, with her arranger Peter Schickele (of P.D.Q. Bach fame), has provided one of the most satisfying recordings of the year. She sings songs by some of today's greatest poet-musicians, most of whom are actually-and inaccurately-typecast as rock singers: McCartney and Lennon's Eleanor Rigby, Paul Simon's Dangling Conversation, and Tim Hardin's If You Were a Carpenter. But a French song, titled La Colombe (The Dove), provides the most haunting impact, for it is a beautifully put plaint against the slaughter of wars...
...Fischer-Dieskau as Tosca's brutally intelligent tormentor and Franco Corelli as her devoted lover are almost overwhelming in their dynamic and masculine artistry. Yet Birgit summons all the fire in her Swedish soul and emulates, if not exactly incarnates, the Latin passions of Tosca, daring anyone to typecast her as merely a Wagnerian soprano. With Conductor Lorin Maazel whipping his orchestra along in unrelenting fury, the album becomes a musical Fort Knox...
...They cut up everything in America; if it isn't toothpaste, it is soap." As for the theater, it has become "terribly lightweight." Worse, a U.S. actress is all too often typecast: "Here it is the personality that they like, more than the performance. People popped all of us into little boxes. If they wanted someone to be a bad woman, they opened the little box marked Bette Davis. If they wanted a saintly woman, they opened the little box marked Ingrid Bergman...
...gawky American, Orson Bean is a drearily familiar caricature. He has been typecast as an innocent for so long that he has become a professional with no surprises to offer. The part needs an innocent innocent. Alluringly gowned and ungowned, Mercouri has enough dramatic electricity in a finger snap to have prevented the Great Power Blackout of 1965. Her voice is a husky cousin to Marlene Dietrich's, but even amplification does not always make it audible. The character she plays, a kind of ouzo-and-sympathy doxy, is unsalvageable since joyous sweet-souled prostitutes are about as believable...
Despite Poppins' success, Julie fretted "that everybody will think I'm a square." It was a fair fret: they did. Suddenly Americans saw her, says Carol Burnett, as "Gwendolyn Goody Two-shoes." Julie began to worry about being typecast, doomed to be always the governess, never the mistress. She saw the humor in the sudden rash of bumper stickers: MARY POPPINS is A JUNKIE (her friend Mike Nichols affixed one to her car), but it didn't console her much at all. It was largely in an effort to change the image that Julie took...