Word: typed
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Dates: during 1990-1999
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...Story, brings out the best in people--by talking or listening to them or just by the example of his tortoise-like quest. He is driving his John Deere lawnmower 350 miles to see his estranged brother. Alvin turns out to be your basic Lynch hero: a Kyle Maclachlan type, as average as apple pie, who follows his obsessions to heaven or hell. The supporting cast is normal too--and thus vastly weird, because Lynch presents them, as he did the sickos of Blue Velvet, without comment or condescension...
...somewhat overbearing I-am-woman-hear-me-roar vibes of the celebrity-studded version, its strengths as a one-woman show become apparent. Sitting on a stool with only a few lighting effects for embellishment, Ensler can soar to Rabelaisian heights (giving a bravura impression of every type of orgiastic moan) or move us with quiet compassion (a woman in her 70s describes the embarrassing episode as a teenager that all but ended her relationship with the place "down there...
...Canada have more than a passing interest in the future President of the U.S. Please elect the type of individual who will represent the spirit of freedom of choice for all. Why do the American people continue to be inundated with secondhand intellects in the theater of American politics...
...from the insightful and sharply satirical mood of the novel. Bruce Willis as Dwayne Hoover takes an unfortunate step backwards from his performance in The Sixth Sense by making a complete ass of himself. (Perhaps this is a sign that he should go back to doing Die Hard-type fare.) The rampant television commercials advertising Dwayne's cars? Mind-numbingly annoying. And worst of all, Nick Nolte looks like he has a facial tick that spreads like a plague throughout his body, resulting in a haltingly jumpy and downright silly performance. And what of Albert Finney, the well-respected actor...
...Dylan McDermott--all GQ cover, no personality), a powerful tycoon with the face of an underwear model and the disposition of a shark. Charles has a wife. He also has a mistress named Amy (Campbell), an energetic, free-spirited artist who specializes in glass sculptures. Charles is the jealous type and he wants Oscar to keep an eye on Amy and make sure she stays out of trouble, mainly because he is under the impression that Oscar is gay. Oscar is straight, of course (are we laughing yet?), but he is forced to continue the ruse as he finds himself...