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...just supposed to trust that mortgage lenders and Wall Street types have 'learned their lesson' and will not continue to exacerbate the problem (or find ways to create new ones)? What safeguards are/will be put in place so that derivatives of the type that got this mess started will not continue to be created or traded? I think it's fair to assume that mortgage lenders and Wall Street won't make these same mistakes for another generation at least. But they will do their best to figure out new ones to make. And while bubbles and crashes will always...
...technique allows scientists to genetically manipulate a patient’s cells—typically skin cells or blood cells—and reprogram them into a pluripotent state. Like embryonic stem cells, these iPS cells are then capable of morphing into any type of body tissue...
...contrary to her claims, Michelle is not the first person of her kind I've seen; she's actually recognizable as a very particular type, though it took me until after the convention to figure out what that type is. I suspect this person will be familiar to anyone who has, in the past 25 years, been a young, college-educated woman in her first real job: you're, say, 22 and somewhat clueless, and you go to work in an office where there's a woman eight or 10 or 12 years older than you who's not only...
...interesting that you talk about showmanship. You talk about how you're well versed in musical theater and you have so many musical numbers on Family Guy. Is the idea of showmanship an important underpinning of your type of humor? Yeah, I think so. There's an element of showmanship in old television at its best that's been lost today. Where you really see it in the most emblematic sense is with the absence of of opening titles. They don't do it anymore. Certainly in Family Guy and American Dad, we actually had to fight to have...
...commonly used for these works appropriately channels their power. It is fitting that Wein is best known for the Libby Dam, the largest granite relief in America. However, the overabundance of sculptures and drawings that convey Wein’s obsession with the highly stylized human body means this type of representation gets old fast. In contrast, works such as “First Steps,” an abstract piece that only at second glance (and with an explanation) shows a woman guiding a child, are malleable and soft, comprised of one continuous shape with infinite contours. The titles...