Word: typhooned
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INADMISSIBLE EVIDENCE is a compulsively fascinating dramatic typhoon in which John Osborne's voice-splenetic, grieving and caustically humorous-is heard with more furious personal intensity than at any time since Look Back in Anger. As a defeated solicitor for whom life has become a playing field of pain, Nicol Williamson gives a performance of epic dimensions and phenomenal resourcefulness...
INADMISSIBLE EVIDENCE is a compulsively fascinating dramatic typhoon in which John Osborne's voice-splenetic, grieving, raging-is heard with more furious personal intensity than at any time since Look Back in Anger. As a defeated solicitor for whom life in the modern world has be come a playing field of pain, Nicol Williamson, 28, gives a bravura perform ance of epic dimensions and phenomenal resourcefulness...
INADMISSIBLE EVIDENCE is a compulsively fascinating 2½-hour dramatic typhoon in which John Osborne's voice-splenetic, grieving, raging-is heard with more furious personal intensity than at any time since Look Back in Anger. As a defeated solicitor for whom life in the modern world has become a playing field of pain, Nicol Williamson, 28, gives a performance of epic dimensions and phenomenal resourcefulness...
Inadmissible Evidence. Words perpetually fill the theater; only rarely does one hear a voice. John Osborne has a voice. Splenetic, stinging, scornful, grieving, whining, raging-he does not go gently into the sour day and sourer night. Evidence is almost all voice, a torrential dramatic typhoon in which one man is incessantly lashed by that despair that Kirkegaard called "the sickness unto death...
...conversation, shy, slight Ornette Coleman sounds more like a librarian than a revolutionary. But not when he breathes into a saxophone. No sooner had he arrived unheralded in Manhattan in late 1959 than he blew up a typhoon of controversy such as the jazz world had not known since the mid-'40s when now-legendary Saxophonist Charlie ("Bird") Parker was blasting out new musical horizons...