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Superiors in Madness. The setting of the play is the fashionable modern equivalent of a madhouse, a psychiatric clinic. Dr. Prentice (Laurence Luckinbill) has just advertised for a secretary-typist. In comes Geraldine Barclay (Diana Davila), a toothsome cutie of unblemished innocence. Before anyone can say "stocking fetishist," he has her stockings off. Before anyone can yell "body snatcher," she is lying nude on the doctor's examination couch (behind a curtain, that is-this play caters only to the playgoer's imagination). In comes the doctor's wife (Jan Farrand), a blonde minibombshell charitably described...

Author: /time Magazine | Title: Theater: Laughtime in Bedlam | 5/18/1970 | See Source »

...Mississippi Power and Light, reported that his company was trying hard to recruit graduates of black colleges, several blacks at local schools confirmed his story. But there was a catch: the only jobs the blacks were offered-after graduating with degrees in economics or business-were the same typist jobs that white high school girls filled. Coupled with the absence of any signs of progress, these lapses score heavily against the company...

Author: By James M. Fallows, | Title: ??????? | 3/26/1970 | See Source »

...They say they're working closely with the colleges-what that means is that when they need a typist, they make a show of trying to get some graduate of Jackson State to come work for them." Waites said...

Author: By James M. Fallows, | Title: Civil Rights Agency Investigates Two More Middle South Utilities | 3/18/1970 | See Source »

...Typist is a real live one-acter, unlike the other skits. It alone demands sobriety for appreciation. At fifteen, when I first saw the play, it seemed pretty boring just to have two typists sitting on stage talking. But to the credit of Miss Austin and her cast, things livened up for me second time around, although a judicious speed-up of pacing still could have helped the production...

Author: By Deborah R. Waroff, | Title: 3 Absurdities | 2/7/1969 | See Source »

...Jimmy Shine goes, Playwright Schisgal (Luv, The Typist, The Tiger) is very lucky to have Hoffman's ingratiating stage personality working for him. Hoffman takes thimblefuls of humor, absurdity, poignance, honesty, desire and passion and drains them as if they were foaming crystal goblets of dramatic life...

Author: /time Magazine | Title: Theater: Urban Picaresque | 12/13/1968 | See Source »

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