Word: tyzack
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...Peter Wood's staging, the play glides cinematically among Indian scenes, Flora's letters home, the scholar's footnotes and reminiscences by Das' son and Flora's surviving sister (Margaret Tyzack) to create a tenderly comic rumination on the ironies of history and colonialism, of creativity and eros-all unexpectedly mellow for the pyrotechnical Stoppard. Art Malik catches Das' contradictory yearnings, caught up in India's independence movement yet in thrall to Dickens and all things English. Felicity Kendall wittily and poignantly plays the free-spirited Flora, who shows Das that only by being true to himself...
...lunacy back to earth. She takes a character who is mostly an idea, a conceit -- a person for whom pretending is more real than reality -- and invests her with poignancy and pride. In spirit Lettice is a one-woman show. But Smith gets splendid support from Margaret Tyzack in the thankless, stereotypical role of her clumping comrade Lotte Schoen and obliquely from Britain's Prince Charles, whose marginally less dotty tirades against contemporary architecture render Lettice's eccentricities almost trendy...
...Charles, enjoys far fiercer support in Britain than in the U.S. To Lettice, modernism scorns the past and its romance. Yet what lingers from the play's three sprawling hours is Smith's one-woman parade of fussy antics and arch-nasalities to the dumb-struck wonderment of Margaret Tyzack as the horrified boss turned sly collaborator. Shaffer needs to edit and focus. Lettice's architectural views notwithstanding, less can be more...
Could this classic mismatch have worked? Probably not. He was ungiving, and she was too taking. Tom seemed most content playing bridge, in bowler and brolly, with his wife's mother (Margaret Tyzack) and brother (David Haig). Viv imagined herself, with a mixture of impishness and foreboding, as the mistress of Dr. Crippen, the Edwardian wife murderer. Nice judgment, that: Viv is the picturesque victim slipping into madness, and Tom is the deadly St. Eliot, ( condemned because he took advantage of a sinner...
...forced to operate in a straitjacket. So drudgy Tom sets the play's pace and defeats the efforts of Herrmann to animate this stick--a challenge not usually above him, as he demonstrated two years ago in Plenty, playing another man of propriety married to a disturbed idealist. Covington, Tyzack and Haig (imported from the Royal Court Theater in London, where Tom and Viv was first produced last year) perform admirably in better roles, ones with a little shading, irony and spunk. Max Stafford- Clark's direction fills the stage at Manhattan's Public Theater with mausoleum air and anguished...