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Word: u2 (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...lawyers claimed that Ticketmaster's control over tickets and its exclusive contracts with most of the leading concert arenas constitute anticompetitive behavior that enables it to prop up prices. Soul Asylum, another popular alternative-rock band, jumped into the fray. By week's end Garth Brooks, Neil Young, U2 and Bad Religion had lined up with Pearl Jam, saying they supported Pearl Jam's cause. Says Kelly Curtis, Pearl Jam's manager: "All the band wants to do is to be able to tour with a cheap ticket price." While the dispute with Ticketmaster amounted to less than...

Author: /time Magazine | Title: Rock 'N' Roll's Holy War | 6/20/1994 | See Source »

Sinatra's troubles come just as he is enjoying yet another resurgence, winning back old fans as well as acquiring new admirers from the yuppie and slacker generations with his Duets album. The disk electronically melds Sinatra's prerecorded tracks with those by younger pop icons like U2's Bono. It is his most successful album since 1966's Strangers in the Night...

Author: /time Magazine | Title: MUSIC: And Again, One More for the Road | 3/21/1994 | See Source »

Then there are three new songs written and performed by three Irish musicians with silly names: Gavin Friday, "Man Seezer," and, get this, "Bono." Can you believe it? The biographical sketch says they're all natives of Dublin, and that "Bono" formed a band called U2 with some other people from Dublin back in the '70s. The write-up claims that they have a devoted local following and have put out nearly ten records. I can't believe I've never heard of them! Anyway these songs are pretty good; this guy Bono has a pretty good voice...

Author: By Jake S. Kreilkamp, | Title: In the Name of God, Bono | 2/3/1994 | See Source »

...Hmmm," said Blakey. "Well, let me hear some of this U2 stuff...

Author: /time Magazine | Title: Rap's New Jazz Messengers Us | 1/24/1994 | See Source »

Ireland's druids of drone, U2, go a step further in their concerts: they program and project their own interactive special effects. Bono (or The Edge) will use a remote control to move a cursor (which can be seen on the two huge screens) that allows him to set a song's instruments and tempo. Then the band joins in. The onstage screen shows the choices he has and the decisions he makes. Between songs Bono can regulate four projections of himself; when he clicks on one of them, it will tell a joke, start singing or talk. "U2 love...

Author: /time Magazine | Title: Rock Goes Interactive | 1/17/1994 | See Source »

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