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Though seclusion in a Berlin studio enabled U2 to produce the industrial grunge and searing riffs of "The Fly," the innovative blend of a wicked guitar groove with vocals ranging from gospel heights to darkly sexual depths could not be effectively reproduced in concert...

Author: By Rita L. Berardino, | Title: U2: Not As Good As the REAL THING | 3/20/1992 | See Source »

...inclusion of the new album's less impressive material, such as the virtually pointless "Who's Gonna Ride Your Wild Horses?", seemed unnecessary and frustrating when many of the best U2 songs were left off the set list. The most disappointing and inexcusable omission was the band's failure to perform such classics as "Sunday Bloody Sunday," "New Year's Day," and "Exit...

Author: By Rita L. Berardino, | Title: U2: Not As Good As the REAL THING | 3/20/1992 | See Source »

...band performance and crowd response noticeably improved when U2 finally began to play material from past albums. Walking along a narrow platform to a small stage on one side of the floor, the four members of U2 performed an acoustical version of "Angel of Harlem" with spirited vocal accompaniment from virtually every member of the audience...

Author: By Rita L. Berardino, | Title: U2: Not As Good As the REAL THING | 3/20/1992 | See Source »

...emotional impact of U2's performance steadily increased with each selection from U2's earlier albums, reaching a climax for both band and crowd with "Pride (In the Name of Love)" the only track performed from The Unforgettable Fire...

Author: By Rita L. Berardino, | Title: U2: Not As Good As the REAL THING | 3/20/1992 | See Source »

...U2 made effective use of their video technology throughout the show, especially during several tracks from The Joshua Tree. Rather than simply showing close-ups of the band members and action onstage, the video presentation coordinated film clips, powerful phrases and strong visual imagery with the set list, thereby giving an added dimension to the music...

Author: By Rita L. Berardino, | Title: U2: Not As Good As the REAL THING | 3/20/1992 | See Source »

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