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Jiang: The China-U.S. relationship over the past few years can be characterized like the weather: it has its ups and downs. I think that, on the whole, relations are moving forward. But it is no easy task for the people of our two countries to really understand each other. If, through face-to-face meetings, our nations can deepen understanding, that will be a very important achievement...
...Student Sues Indiana U., Charging Admissions Bias...
...than it was 35 years ago, during the heart-stopping days of the Cuban missile crisis. The confrontation started when the Soviet Union began covertly shipping into Fidel Castro's Cuba 72 nuclear-armed ballistic missiles, capable of wiping out U.S. cities from Florida to the Pacific Northwest. American U-2 spy planes spotted them, and on Oct. 16, 1962, President John F. Kennedy began 13 days of crisis meetings with senior advisers in what he called the Executive Committee of the National Security Council. As the wise men secretly gathered in the White House and debated what...
Stone calls U Turn a scorpions-in-a-bucket movie; deadly critters snap at one another until only the strongest (or the top billed) survives. It also honors the familiar tropes of hombre films, from the requisite convenience-store holdup and multiple murder to a strident Ennio Morricone score (with the banshee harmonica from his Sergio Leone westerns). There's also a waitress named Flo. Stone swathes all this menace in his patented white-hot style: slo-mo, echoing voices, flashbacks that flick like lightning, cartoon sound effects (when the Mustang is mentioned, you'll hear a horse whinny...
What's missing in U Turn is a window into Stone's '60s obsession, which begat his Vietnam trilogy, The Doors and JFK. But all that and more are in A Child's Night Dream, an autobiographical fantasy written in 1966-67. The book's Oliver follows the road of Stone's busy young life and often guns into the overdrive of desire (a meeting with Julie Christie) and horror (vivid images of a war he had not yet fought in). With punch-drunk punctuation and verbs-a-poppin' prose, Stone imitates Joyce, Kerouac, Mailer...