Word: uelsmann
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Dates: during 1970-1979
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...show abounds in deliberately "poetic" photographs, over which surrealism?which, one is I reminded, Susan Sontag claims to be the natural mode of photographic vision?presides. Some are deliberately manipulated montages, like Jerry N. Uelsmann's dream pictures. Others are plain sights deliberately set up, like Ralph Gibson's The Enchanted Hand, 1969?a delicately ectoplastic fantasy, very much in the spirit of Joseph Cornell. Some photographs are manifestly the product of chance, an incongruous moment caught in flight. The most startling of these is Mark Cohen's Wilkes-Barre, Pennsylvania, June 1975, which shows a girl's head almost...
...imaginative" masters of the medium, beginning with Edward Steichen, proceeding through the epic or intimist nature poets (Edward Weston, Paul Strand, Ansel Adams) and finishing in an exponential growth of different styles in the '70s -Duane Michals' enigmatic fumetti, Paul Caponigro's monumental landscapes, and Jerry Uelsmann's surrealist montages. Meanwhile, LIFE and Look were the showcases for the documentary photographs: the picture magazines were their museum without walls, and it is now pitifully shrunk. To present the documentary photographer to a "serious" audience, an audacious venture has just opened in Manhattan: the International Center...
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